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THE HEART PRINCIPLE

Grief and suffering make for an emotionally moving novel, but without fully exploring healing and recovery, is it a romance?

A violinist struggling from burnout must face even bigger challenges.

After experiencing viral fame and an exhausting tour, Anna Sun can only hear flaws and mistakes when she plays music. She spends hours every day restarting the same piece of music, trying to make it perfect. When her therapist suggests Anna might be on the autism spectrum, she is relieved to finally understand herself better; unfortunately, her sister’s painful rejection of the idea leaves her feeling even more estranged from her family. After her boyfriend informs her he wants to be in an open relationship, Anna creates a profile and connects with Quan Diep on a dating app. The successful CEO of a small clothing company, Quan wants to enter the dating pool after a bout with cancer. Although they both want a no-strings affair, Anna discovers how easy it is to be her real self with Quan. The first half of the novel shows their relationship morphing into one of mutual caring and respect. When Anna’s father suffers a debilitating stroke without a medical directive, Anna and her mother and sister decide to care for him at home. Hoang unflinchingly describes the physically exhausting work of caretaking, which is coupled with Anna’s emotionally wrenching conviction that her father does not want to live this way. The primary themes in the second half are about filial piety and how Anna’s endless self-sacrifice without corresponding acceptance from her family pushes her to create limits and boundaries. Quan is a solid, steady presence but mostly relegated to the back burner. In the afterword, Hoang calls the book “half memoir,” which helps explain why it feels like half a romance. Genre readers will have to judge for themselves if the romance plot satisfies, but those desperate for fiction that explores the crushing weight of caregiving will find it here.

Grief and suffering make for an emotionally moving novel, but without fully exploring healing and recovery, is it a romance?

Pub Date: Aug. 31, 2021

ISBN: 978-0-593-19783-7

Page Count: 320

Publisher: Berkley

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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BRIDE

Sink your teeth into this delightful paranormal romance with a modern twist.

A vampire and an Alpha werewolf enter into a marriage of convenience in order to ease tensions between their species.

As the only daughter of a prominent Vampyre councilman, Misery Lark has grown accustomed to playing the role that’s demanded of her—and now, her father is ordering her to be part of yet another truce agreement. In an effort to maintain goodwill between the Vampyres and their longtime nemeses the Weres, Misery must wed their Alpha, Lowe Moreland. But it turns out that Misery has her own motivations for agreeing to this political marriage, including finding answers about what happened to her best friend, who went missing after setting up a meeting in Were territory. Isolated from her kind and surrounded on all sides by the enemy after the wedding, Misery refuses to let herself forget about her real mission. It doesn’t matter that Lowe is one of the most confounding and intense people she’s ever met, or that the connection building between them doesn’t feel like one born entirely of convenience. There’s also the possibility that Lowe may already have a Were mate of his own, but in spite of their biological differences, they may turn out to be the missing piece in each other’s lives. While this is Hazelwood’s first paranormal romance, and the book does lean on some hallmark tropes of the genre, the contemporary setting lends itself to the author’s trademark humor and makes the political plot more easily digestible. Misery and Lowe’s slow-burn romance is appealing enough that readers will readily devour every moment between them and hunger to return to them whenever the story diverts from their scenes together.

Sink your teeth into this delightful paranormal romance with a modern twist.

Pub Date: Feb. 6, 2024

ISBN: 9780593550403

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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