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FALSE PRETENSES

Coulter's first hard-cover: a grade-B business soap about a concert pianist turned CEO. As this tortured tale begins, Elizabeth Carleton is on trial for the murder of her millionaire husband. Everyone thinks she'll get the chair—after all, her prints are on the murder weapon, a silver ice pick. But at the last minute, a Connecticut psychologist named Christian Hunter testifies that Elizabeth was with him on the night of the crime. Trouble is, Elizabeth's never seen Hunter before in her life, which she wisely doesn't mention at the trial. After her release, she's insulted and threatened by the Carleton crew; their hostility boils over when Elizabeth wins big at the reading of the will and is made head of the conglomerate, ACI. But the Carletons set her up by paying her lover, an impoverished Boston Brahmin, to leak ACI secrets. Then Christian Hunter turns up again, asking at first only to hear Elizabeth play the piano, cuing her in on her boyfriend's betrayal. Soon Elizabeth's turned into a veritable tycoon, attempting a takeover of a Philadelphia electronics firm, falling in love with its stubborn president, Jonathan Harley. When Hunter learns that there's another man in Elizabeth's life, he shows his true stripes: He's a crazed murderer, responsible for her husband's death and now stalking Elizabeth. He's caught in the nick of time, however, and she and Jonathan live conglomerate-happy ever after. For those who can buy that there's life on Wall Street after the concert stage, and who like guys with lines like this: "I want your body, lady."

Pub Date: Oct. 28, 1988

ISBN: 0451199685

Page Count: 342

Publisher: New American Library

Review Posted Online: March 24, 2012

Kirkus Reviews Issue: Sept. 15, 1988

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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