Next book

BARN BOOT BLUES

Pleasant, but it’s all been done before.

City girl or farm girl, which will Taylor choose to be? Or does she have a choice?

Twelve-year-old Taylor’s parents have uprooted her from her perfectly comfortable life in Minneapolis and planted her on a farm to raise chickens, ducks, goats and sheep. She takes on many responsibilities and chores, all presenting their own levels of grossness, and manages, mostly, to attack them with ingenuity, determination and some hilarity. But she describes herself as thoroughly discombobulated as she tries to adjust to a new school and this new, alien way of life. Unable to voice her unhappiness to her parents, she plots to sabotage her school grades and behavior to get their attention, and convince them to return to the city. Taylor tells her own story with humor and honesty, as she comes to terms with the changes in her environment and in herself. The peripheral characters are not as well drawn, however, especially her parents, who seem to make precipitous, impulsive, life-changing decisions with good intentions but little else. The other children are one dimensional as well; there’s a manipulative town girl, a teasing, irritating boy and a kindhearted farm girl. Only Taylor’s engaging, breezy narration lifts the whole above the banal.

Pleasant, but it’s all been done before. (Fiction. 10-14)

Pub Date: Oct. 1, 2011

ISBN: 978-0-7614-5827-2

Page Count: 144

Publisher: Marshall Cavendish

Review Posted Online: Aug. 23, 2011

Kirkus Reviews Issue: Sept. 15, 2011

Next book

PERCY JACKSON'S GREEK GODS

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.

Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.

Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”

The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)

Pub Date: Aug. 19, 2014

ISBN: 978-1-4231-8364-8

Page Count: 336

Publisher: Disney-Hyperion

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

Next book

PERCY JACKSON'S GREEK HEROES

Tales that “lay out your options for painful and interesting ways to die.” And to live.

In a similarly hefty companion to Percy Jackson’s Greek Gods (2014), the most voluble of Poseidon’s many sons dishes on a dozen more ancient relatives and fellow demigods.

Riordan averts his young yarn spinner’s eyes from the sex but not the stupidity, violence, malice, or bad choices that drive so many of the old tales. He leavens full, refreshingly tart accounts of the ups and downs of such higher-profile heroes as Theseus, Orpheus, Hercules, and Jason with the lesser-known but often equally awesome exploits of such butt-kicking ladies as Atalanta, Otrera (the first Amazon), and lion-wrestling Cyrene. In thought-provoking contrast, Psyche comes off as no less heroic, even though her story is less about general slaughter than the tough “Iron Housewives quests” Aphrodite forces her to undertake to rescue her beloved Eros. Furthermore, along with snarky chapter heads (“Phaethon Fails Driver’s Ed”), the contemporary labor includes references to Jay-Z, Apple Maps, god-to-god texting, and the like—not to mention the way the narrator makes fun of hard-to-pronounce names and points up such character flaws as ADHD (Theseus) and anger management issues (Hercules). The breezy treatment effectively blows off at least some of the dust obscuring the timeless themes in each hero’s career. In Rocco’s melodramatically murky illustrations, men and women alike display rippling thews and plenty of skin as they battle ravening monsters.

Tales that “lay out your options for painful and interesting ways to die.” And to live. (maps, index) (Mythology. 10-14)

Pub Date: Aug. 18, 2015

ISBN: 978-1-4231-8365-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: July 21, 2015

Close Quickview