A good summer read.
When Abby Feingold’s family starts a resort, she learns about the wildlife of their new island home.
When Abby’s father married her stepmother, Rachel, Rachel’s great-aunt gifted the couple a private island in the Florida Keys. Naturally, the couple promptly quit their jobs to run a small resort. Abby quickly befriends one of the first guests, Bella Garcia, but soon Bella starts to withdraw, hurting Abby’s feelings. When Abby follows Bella, she learns Bella’s secret—a colorful bird has led Bella to a cove where a pod of dolphins lives. Bella swears Abby to secrecy about the cove, and the girls name the dolphins. Although the text gives lip service to the fact that dolphins are wild animals, that doesn’t stop the girls for long from swimming with them. When Abby overhears her parents’ concerns that their resort may not attract enough guests to stay viable, she blurts out the dolphin secret—at the cost of her friendship with Bella. The realistic characters will make it easy for readers to vicariously experience this semiwild private tropical paradise—the setting is the book’s biggest treasure. Abby and her father present as white; Rachel (with whom Abby has a delightfully close relationship) is black, with Jamaican heritage; Bella is Latina. The resort’s cook, Sofia, is Cuban, and Sofia’s nephew becomes a recurring character, as does Bella; Volume 2, Lost in the Storm, publishes simultaneously.
A good summer read. (Fiction. 7-10)Pub Date: May 5, 2020
ISBN: 978-1-338-29018-9
Page Count: 112
Publisher: Scholastic
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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