A joyful ode to the manifold pleasures of musical expression.
This jazzy primer guides readers in noticing surrounding sounds—and feeling the ones that bubble up from within.
For their third collaboration—following How To Read a Book (2019) and How To Write a Poem (2023)—Alexander and Sweet are joined by composer, performer, and author Preston (Piscataway). Here, they focus on creating music. The narrative poem begins by calling for an attentive spirit: “Hush. / Now, / turn up your ears / and listen / to the / concert / happening / all around / you.” The delicious language refers to a bird’s “playful trill” and the “warble of / belching / frogs.” Alliteration, rhyme, rhythm, and humor flow through the directives on deep breathing and transforming responses to nature into toe tapping and finger snapping. Ultimately, readers—and the chorus of diverse characters depicted—are instructed to “wail / out each / wondrous / word.” These gifted creators bring to life a potentially abstract concept in ways that will appeal to children who instinctively dance, leap, and spin to song. Sweet’s note on choosing “op” (optical) art to convey sound is fascinating. Her hypnotic optical illusions weave through and around people in motion, buzzing bees, lively landscapes, and snippets of sheet music—all in glorious collages, punctuated with her signature pink accents. Hand lettering throughout employs different colors, sizes, and saturation to convey volume and pacing.
A joyful ode to the manifold pleasures of musical expression. (author’s note from Preston) (Picture book. 4-7)Pub Date: Oct. 1, 2024
ISBN: 9780063060937
Page Count: 32
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Pitch-perfect tension and delightful silliness.
The legend of a giant, dangerous duck at Cucumonga Campground looms large.
Young Hector and his family are on vacation. Everything seems pleasant except for the many objects that have gone missing and the warnings Hector keeps receiving. Everyone tells him not to interact with the ducks. Don’t go near them, don’t look at them, and absolutely, positively, do not feed them. To further emphasize the point, “DO NOT FEED THE DUCKS” signs pop up every few feet at the campground. So what does Hector do? He feeds the ducks. They just look so cute and hungry. Amid the many feathers flapping, a large, foreboding shadow suddenly crosses the lake. Colón builds suspense through short, clipped narration. The weather turns ominous, and people flee in terror—it’s…THE QUACKEN! The fearsome, colossal wildfowl has appeared! It’s always one step ahead of Hector until there is no escape. Hector is popped into the duck’s bill like a delicious morsel. But, luckily for Hector, “children taste terrible.” Reminiscent of old, cheesy horror films, this tale will make a hilariously over-the-top read-aloud. Pino ramps up the drama in his illustrations, alternating full-page spreads with graphic novel–like panels and vignettes. Hector and his family are brown-skinned, while other campers are racially diverse.
Pitch-perfect tension and delightful silliness. (Picture book. 4-7)Pub Date: July 16, 2024
ISBN: 9781665922487
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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