by Catherine Steadman ‧ RELEASE DATE: June 8, 2021
The Hollywood ground covered by this book is already well trodden.
An up-and-coming actress risks her career to find a missing woman, discovering the dark side of Hollywood's glamour along the way.
Coming off a big film role and an unexpected breakup, British actress Mia Eliot heads to Los Angeles for pilot season and a string of big-name auditions. While she's waiting for her second reading, she starts chatting with Emily, a fellow actress who's up for the same part. When Emily is called in to audition, she's worried that her parking meter is about to expire, and Mia offers to run outside and feed the meter for her. When Mia gets back, however, Emily is gone—leaving her keys and wallet behind. Mia's desire to see the items safely returned sets off a hunt for the missing woman, taking Mia's focus away from work at a critical time in her career. Despite an engaging central mystery—what happened to Emily?—the rest of the novel doesn't hold up. Mia has a frustrating lack of complexity; all her auditions become opportunities, and she's inexplicably naïve. Supposedly an experienced actress, she reads like someone plucked from the street and dropped into Hollywood’s orbit, and her constant surprise at the excessive luxury heaped upon her is grating. Her involvement with Emily—a woman she met once, for a few minutes—makes little sense, and the reveal at the end only makes it more implausible. The novel's consideration of Hollywood's dangers isn't unusual enough to be interesting, and the consideration of the gender dynamics of power is too clichéd to be thought-provoking.
The Hollywood ground covered by this book is already well trodden.Pub Date: June 8, 2021
ISBN: 978-0-593-15803-6
Page Count: 320
Publisher: Ballantine
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by C.J. Box ‧ RELEASE DATE: Feb. 25, 2025
Middling for this stellar series, which makes it another must-read, preferably in one sitting.
Unbeknownst to each other, Wyoming Fish and Game Warden Joe Pickett and outlaw falconer Nate Romanowski embark on equally urgent pursuits that converge in a way neither of them suspects.
Nate, who’s been off the grid ever since his wife, Liv, was killed in a fire intended to kill him too in Three-Inch Teeth (2024), has sworn vengeance on murderous conspirator Axel Soledad. After shooting several of Soledad’s hirelings, he joins forces with his friend and fellow Special Forces vet Geronimo Jones, who’s tracked him down, to chase his quarry deep into the woods. Governor Spencer Rulon, meanwhile, has pressed Joe into service once again to find veteran hunting guide Spike Rankin and his new assistant, Mark Eisele, who just happens to be Rulon’s son-in-law. Although nobody’s heard from the men for two days, the governor doesn’t want his wife and daughter to know they’re missing, and that means not alerting the media or the local sheriff, who’s no fan of Rulon’s anyway. Readers who’ve already seen Rankin and Eisele overpowered and imprisoned by a mysterious crew they ran into while they were setting up for the elk hunting season will assume that Soledad is behind their kidnapping as well. But Box will keep everyone guessing about exactly how Soledad and the ragtag military cult he’s gathered around him plan to confront the military-industrial complex he’s persuaded them is a clear and present danger. You know you’re in for a wild ride when Joe, saying goodbye to Marybeth, his long-suffering wife, promises her, “I’ll do my job and not cross the line.”
Middling for this stellar series, which makes it another must-read, preferably in one sitting.Pub Date: Feb. 25, 2025
ISBN: 9780593851050
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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