by Catherine Stock & illustrated by Catherine Stock ‧ RELEASE DATE: May 1, 2007
Sacre bleu! With Monsieur Monmouton the farmer and his faithful dog Cabot again in hot pursuit, the barnyard crew that enjoyed A Spree in Paree (2004) hie off to the Big Apple. Effectively concealing themselves from Monmouton, but not from readers, in Stock’s splashy, crowded, jewel-toned watercolors, the animals shop at Blooming Dells, enjoy (and even become) art at MOOMA, take a trip around Manhattan on the Oval Line and settle down at last for an evening of jazz at the Kool Kat Klub. There, they find Monmouton waiting for them, his head and attitude already turned by a pretty waitress. And hardly has Cabot patiently herded all aboard the plane and back to France than a perfumed postcard arrives, announcing an imminent visit in return. Ooh la la! Non–New Yorkers may not recognize all the locales—but the thrill of the chase and general bumptiousness of the menagerie will easily carry any young armchair tourists along for the ride. (Picture book. 6-8)
Pub Date: May 1, 2007
ISBN: 978-0-8234-1994-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
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by Jonathan Frost ‧ RELEASE DATE: April 6, 1999
Frost debuts with a flawed but heartwarming dog story, set along an industrial canal in New York City and illustrated with large, freely drawn black-and-white etchings. One winter’s morning, after “an exquisite breakfast” of garbage, three puppies explore the barren canalside and meet a friendly street person who lives in a cardboard box. Later, finding one puppy sick, the man takes her to an animal shelter, leading to a job, an apartment, and owners for the other two puppies. Frost depicts urban landscapes with a gray, dingy realism that evokes neither the puppies’ exuberance nor the joy of the happy ending, and the deep shading and diffuse lines sometimes make figures indistinct. While the strong textures at times create a swirling energy reminiscent of Brian Pinkney’s scratchboard illustrations, this more often resembles a first draft, a shadowy promise of the book- yet-to-be. (Picture book. 6-8)
Pub Date: April 6, 1999
ISBN: 0-374-31058-0
Page Count: 48
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by Megan McDonald ‧ RELEASE DATE: March 1, 1999
From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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