It’s not that Iguana is angry or anything. After all, she has her own e-mail address and all the anchovy pizza she wants; she loves her human pal, Alison, who treats her as a best friend should. Iguana pines for the sun and surf and as many miles as she can get between herself and Schenectady, New York, where the winters know no mercy. So she grabs a bus to Key West, where she lives the good life until her allowance runs out. Then she has to wash dishes in a restaurant, and on the night the restaurant serves a special iguana, Iguana lights out for a stamp-licking job at the post office, then tucks herself into a parcel addressed to Schenectady. The warm south is in her blood (this comes as no surprise, given Goembel’s wry, alluring scenes of the place) and she heads back to Big Pine Key, commuting back to Alison for anchovy pizza when it beckons. McDonald’s story is wonderfully alive, with the iguana a bit of a cool cat, and the Keys exotic but available. It is full of love, independence, and natural law, and the slice of biogeography can’t hurt. (Picture book. 5-9)
Pub Date: Sept. 1, 1999
ISBN: 0-7894-2581-5
Page Count: 32
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
This vibrant, thoughtful book from Katz (Over the Moon, 1997) continues her tribute to her adopted daughter, Lena, born in Guatemala. Lena is “seven. I am the color of cinnamon. Mom says she could eat me up”; she learns during a painting lesson that to get the color brown, she will have to “mix red, yellow, black, and white paints.” They go for a walk to observe the many shades of brown: they see Sonia, who is the color of creamy peanut butter; Isabella, who is chocolate brown; Lucy, both peachy and tan; Jo-Jin, the color of honey; Kyle, “like leaves in fall”; Mr. Pellegrino, the color of pizza crust, golden brown. Lena realizes that every shade is beautiful, then mixes her paints accordingly for portraits of her friends—“The colors of us!” Bold illustrations celebrate diversity with a child’s open-hearted sensibility and a mother’s love. (Picture book. 6-8)
Pub Date: Sept. 1, 1999
ISBN: 0-8050-5864-8
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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