Thimmesh (Lucy Long Ago, 2009) again explores the border between science and speculation in this thoughtful look at how paleontologists and, in particular, “paleoartists” reconstruct prehistoric creatures from fossil evidence.
It’s “guesswork,” admits one artist. “But it’s guesswork based on science.” The author explains how surviving evidence—including fossilized bone fragments, plant matter, bits of skin and, recently, feathers, prehistoric “trackways” (preserved pathways of dino footprints) and similar physical features in modern animals—is assembled and interpreted by scientists. She also traces the evolution of dino art, from Benjamin Waterhouse Hawkins’ fanciful reconstructions of heavy-bodied giant lizards to today’s images of quick, deft, graceful creatures. In support, examples of Hawkins’ approximations and the once-authoritative dinosaur paintings of Charles R. Knight from the first half of the 20th century contrast sharply with more detailed and dramatic scenes, often of the same dinosaurs, by Greg Paul and other currently active artists the author has interviewed. Sketch pages, alternative color patterns on the same model dino, and facing images of a Deinonychus before and after the discovery of fossilized feathers provide further insight into paleoart’s methods, challenges and rewards.
Required reading for serious dinophiles. (biographical appendix, source list, glossary, index) (Nonfiction. 11-13)Pub Date: Oct. 1, 2013
ISBN: 978-0-547-99134-4
Page Count: 64
Publisher: Houghton Mifflin
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)
Pub Date: March 1, 2001
ISBN: 0-7613-1553-5
Page Count: 80
Publisher: Twenty-First Century/Millbrook
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Categories: CHILDREN'S HISTORY
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A hagiographic portrait of the United States’ newest president-elect.
Gormley begins with Biden’s working-class origins, then retraces his development as a “natural leader” from roguish, family-centered senior class president to responsible and still family-centered national one. Focusing as she goes on values or character-revealing anecdotes and sound bites (including multiple early predictions that he would grow up to be president), she turns his father’s motto “if you get knocked down, get up” into a thematic mantra. Gormley portrays his career as a heroic march to the White House past both political challenges and wrenching personal tragedies. The author mixes frank accounts of the latter with heartwarming family stories like the time his sons, then 6 and 7, sat him down in 1976 and told him to marry Jill Jacobs. The author presents Biden’s early positions on, for instance, same-sex marriage or crime as either evolving or errors acknowledged in retrospect, dismisses allegations of sexual harassment, and frames his verbal gaffes as just foibles: “Obama was ‘the first mainstream African American who is articulate and bright and clean and a nice-looking guy.’ Oops. Joe Biden had spoken without thinking.” Side looks at relevant topics from trickle-down economics to the Electoral College inelegantly interrupt the text but serve to fill in some of the historical background, and the tactics and failures of the Trump administration, particularly to address the Covid-19 pandemic, get a good airing. The narrative ends the weekend after Election Day with an analysis of the challenges ahead. No illustrations or index were seen.
Trots in all the tropes except the cherry tree, but the rosy glow may not be misplaced considering his predecessor. (source notes) (Biography. 11-13)Pub Date: Jan. 12, 2021
ISBN: 978-1-5344-7932-6
Page Count: 256
Publisher: Aladdin
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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