Required reading for serious dinophiles.

READ REVIEW

SCALY SPOTTED FEATHERED FRILLED

HOW DO WE KNOW WHAT DINOSAURS REALLY LOOKED LIKE?

Thimmesh (Lucy Long Ago, 2009) again explores the border between science and speculation in this thoughtful look at how paleontologists and, in particular, “paleoartists” reconstruct prehistoric creatures from fossil evidence.

It’s “guesswork,” admits one artist. “But it’s guesswork based on science.” The author explains how surviving evidence—including fossilized bone fragments, plant matter, bits of skin and, recently, feathers, prehistoric “trackways” (preserved pathways of dino footprints) and similar physical features in modern animals—is assembled and interpreted by scientists. She also traces the evolution of dino art, from Benjamin Waterhouse Hawkins’ fanciful reconstructions of heavy-bodied giant lizards to today’s images of quick, deft, graceful creatures. In support, examples of Hawkins’ approximations and the once-authoritative dinosaur paintings of Charles R. Knight from the first half of the 20th century contrast sharply with more detailed and dramatic scenes, often of the same dinosaurs, by Greg Paul and other currently active artists the author has interviewed. Sketch pages, alternative color patterns on the same model dino, and facing images of a Deinonychus before and after the discovery of fossilized feathers provide further insight into paleoart’s methods, challenges and rewards.

Required reading for serious dinophiles. (biographical appendix, source list, glossary, index) (Nonfiction. 11-13)

Pub Date: Oct. 1, 2013

ISBN: 978-0-547-99134-4

Page Count: 64

Publisher: Houghton Mifflin

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE CIVIL WAR AT SEA

In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)

Pub Date: March 1, 2001

ISBN: 0-7613-1553-5

Page Count: 80

Publisher: Twenty-First Century/Millbrook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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SHIPWRECKS, MONSTERS, AND MYSTERIES OF THE GREAT LAKES

Awash in mighty squalls, tales of heroism and melodramatic chapter headings like “The Lady Elgin: Death in the Darkness,” these marine yarns recount the violent ends of nine of the more than 6,000 ships that have “left the bottoms of Lakes Ontario, Erie, Huron, Michigan, and Superior…littered with their wreckage and the bones of the people who sailed on them” over the past four centuries. For added value, Butts heads each shipwreck chapter with a photo or image of the unfortunate vessel. He then closes with so many Great Lakes monster sightings that they take on an aura of authenticity just by their very number, an effect aided and abetted by his liberal use of primary sources. Younger readers who might get bogged down in Michael Varhola’s more thorough Shipwrecks and Lost Treasures: Great Lakes (2008)—or turned off by its invented dialogue and embroidered details—will find these robust historical accounts more digestible and at least as engrossing. The bibliography is dominated by Canadian sources, as befitting the book’s origin, but there's plenty here to interest American readers. (Nonfiction. 11-13)

Pub Date: Jan. 11, 2011

ISBN: 978-1-77049-206-6

Page Count: 88

Publisher: Tundra

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 15, 2010

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