A fascinating introduction to a remarkable life.
The only woman awarded the U.S. Distinguished Service Cross during World War II, Virginia Hall (1906-1982) was always “most original.”
Growing up in Baltimore, Virginia “was different from most girls of her time,” hunting, fishing, and collecting wild animals. Virginia’s “hunger to explore” led her to work for the U.S. Foreign Service in Turkey, where she shattered her left foot in a hunting accident, resulting in amputation below her knee. Undaunted, Virginia learned to walk with a wooden prosthesis, moved to Paris, and witnessed the German invasion and occupation of France. Volunteering as an ambulance driver until Paris surrendered, Virginia then became the first female undercover agent for the British, gathering information and assisting British pilots. Fleeing France, Virginia hiked over the snow-covered Pyrenees into Spain but eventually returned to France as an American spy disguised as a French milkmaid, transmitting radio messages about German troops and leading a French resistance group until the war ended. Repetition of the refrain, “Virginia was Virginia,” punctuates the factual text, introducing each amazing stage of her life. The book opens with a photo of Virginia’s passport, and Kelley’s realistic illustrations, appropriately rendered in somber hues, stark outlines, and arresting angles, highlight dramatic episodes. Suspenseful close-ups of Virginia spying on German soldiers in the French countryside add to the wartime atmosphere. (This book was reviewed digitally with 12-by-18-inch double-page spreads viewed at 75% of actual size.)
A fascinating introduction to a remarkable life. (author's note) (Picture book/biography. 6-10)Pub Date: Aug. 18, 2020
ISBN: 978-1-56846-348-3
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
Solid, if not revolutionary.
Albee and Ko take their shot at an early-reader biography about Alexander Hamilton.
Emergent readers (and their caregivers) familiar with Lin-Manuel Miranda’s hit musical Hamilton will be rewarded with what amounts to an illustrated highlights reel of the founding father’s life. Albee opens in medias res by describing Hamilton as “a soldier, a lawyer, and a financial wizard,” before the spare text quickly brings readers to Hamilton’s Caribbean childhood, noting his father’s abandonment, his mother’s death, and his determined rise from poverty. He’s presented as a trusted adviser to George Washington and rival to Thomas Jefferson and Aaron Burr, with Ko’s accompanying digital art depicting him with a smiling man on horseback (Washington), while on the facing page, the two other men scowl. A later spread notes major differences between Jefferson and Hamilton, including acknowledgment that Jefferson enslaved people while “Hamilton was against slavery,” but Washington’s slave-owner status isn’t named, nor is the American Revolution’s impact on Indigenous peoples. Personal milestones, such as marriage to Eliza Schuyler, are noted alongside references to his involvement in the war and his work with the nascent American government. While his death occurs on the page, strategies to keep the text within the comprehension of its audience risk undermining other historical content by omitting such terms as “revolution” and the Federalist Papers (though they do appear in backmatter).
Solid, if not revolutionary. (Early reader/biography. 6-8)Pub Date: May 1, 2018
ISBN: 978-0-06-243291-9
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“Up and down” indeed.
Brown’s latest (Older than Dirt, 2017, etc.) follows the journey of balloonist John Jeffries, doctor and meteorologist, through his flight across the English Channel in 1785.
At the end of the American Revolution, Jeffries, a Tory, fled to England, where he was swiftly engulfed in “balloon mania.” An avid amateur meteorologist, Jeffries was thrilled by the possibility of recording new information at different altitudes. Jeffries quickly teamed up with Frenchman Jean-Pierre Blanchard (husband of famed balloonist Sophie Blanchard) for two flights. For their second, the duo had an outlandish proposition: to be the first to fly across the English Channel from Britain to France. Unfortunately, the flight didn’t go as planned, and the duo was forced to unload as much ballast as possible—including their clothes—before ultimately landing unharmed, albeit underdressed, in France. Brown’s oil-pencil–and-watercolor illustrations are true to form, but readers may find themselves with more questions than answers thanks to uneven plotting and a lack of focus. Slight space is devoted to Jeffries pre-Channel flight, 18th-century ballooning culture, and the science of ballooning, while over half of the book is devoted to his most famous flight. Frustratingly, this causes the narrative to read like neither a full introductory biography of Jeffries’ life nor a strict account of the Channel flight. Jeffries, Blanchard, and spectators are all white.
“Up and down” indeed. (endnote, author’s note, bibliography, sources) (Informational picture book. 6-9)Pub Date: June 12, 2018
ISBN: 978-1-58089-812-6
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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