ABOUT MOLLUSKS

A GUIDE FOR CHILDREN

The latest in the About . . . series casts the spotlight on an often-overlooked group—the mollusks. This beginner’s guide teaches readers in small, digestible bits, giving one to two sentences of facts per page in simple language. Sill presents the basic facts—mollusks have soft bodies with no bones and grow from eggs—but she also makes the diversity of the group apparent. Some have shells, some are shell-less; some live on land, most in the water; some are predators, while some eat vegetation. The author’s afterword is a wonderful resource, showing a thumbnail of each illustration, fleshing out the fact given on the page, and giving more information about the featured mollusk. Don’t skip this—it gives some of the work’s most interesting facts. For instance, “Common Violet Snails blow bubbles that harden and make a raft.” They can then ride the raft on the ocean surface and find food. Vibrant watercolor illustrations vividly portray the colors and textures of the animals and their habitats and are a good mix of commonly known and unusual mollusks. A good beginning text about this unique group. (bibliography, Web sites) (Nonfiction. 3-7)

Pub Date: March 1, 2005

ISBN: 1-56145-331-5

Page Count: 40

Publisher: Peachtree

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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THE POUT-POUT FISH

The pout-pout fish, painted a suitable blue, is so named for his perpetual gloom: “I’m a pout-pout fish / With a pout-pout face, / So I spread the dreary-wearies / All over the place.” When a jellyfish complains about his “daily scaly scowl,” the glum fish agrees, but says his mood isn’t up to him. A squid, dubbing the fish “a kaleidoscope of mope,” receives the same defeatist answer, as do other sea creatures. Up to this point, the story is refreshing in that readers will no doubt recognize the pout-pout fish in their own lives, and in many cases, there’s just no cheering these people up. But the plot takes a rather unpalatable turn when a shimmery girl fish kisses the gloomster right on his pouty mouth. With that kiss, he transforms into the “kiss-kiss fish” and swims around “spreading cheery-cheeries all over the place,” meaning that he starts to smooch every creature in sight. (Don’t try this at school, kids, you’ll get suspended!) Still, there’s plenty of charm here, both in the playful language (“hulky-bulky sulking!”) and in the winning artwork—Hanna’s cartoonish undersea world swims with hilarious bug-eyed creatures that ooze personality. (Picture book. 3-6)

Pub Date: March 21, 2008

ISBN: 978-0-374-36096-2

Page Count: 32

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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