An unadorned telling of an artist deserving of additional praise.
The creator of the world’s oldest surviving full-length animated film is celebrated in this straightforward biography.
Born in 1899, Lotte Reiniger was enthralled by the cinema and would tell her own stories to other children by creating tales with cut-paper silhouettes. That skill turned out to have big benefits when she caught the attention of director Paul Wegener. Soon she was designing and directing short films of her own. It was when she was offered the daunting proposal to try her hand at a full-length animated feature film—The Adventures of Prince Achmed—that she invented the tricktisch, a wooden tower that would allow her to film scenes with multiple panes of glass, aka the first multiplane camera. Winters keeps the storytelling crisp and to the point, avoiding any mention of Achmed’s racial stereotyping. Schu’s art, meanwhile, brings the magic of Reiniger’s cut paper technique to life on these pages, integrating the silhouettes with her trials and triumphs. The book is not without its charms but sadly lacks the originality that made Reiniger the master of visual arts as we remember her today. Pairing this book with Fiona Robinson’s Out of the Shadows: How Lotte Reiniger Made the First Animated Fairytale Movie (2022) could allow for a more rounded look at this pioneering artist’s life. (This book was reviewed digitally.)
An unadorned telling of an artist deserving of additional praise. (timeline, author’s note, sources, glossary) (Picture-book biography. 5-10)Pub Date: Jan. 24, 2023
ISBN: 978-0-06-306739-4
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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