by Cécile Roumiguière ; illustrated by Simone Rea ‧ RELEASE DATE: Sept. 15, 2020
Trippy and touching.
This French import about a child’s nighttime coping mechanisms asks, why grow up too fast?
Young Nasla has decided she is old enough to sleep without her favorite plush animals and toys. But at night, she sees a yellow dot in the darkness and a shadow above the wardrobe, where her father put her toys. Could that dot be her toy turtle? And when the shadow moves, she discovers it’s Timboubou, her toy elephant, who appears as a flesh-and-blood elephant in Nasla’s nocturnal visions. Nasla repeatedly tries to talk herself into an independence that the illustrations make clear she is not ready to accept. She may remind herself that she’s a “big girl now” and that night is for sleeping (not playing), but she admits that she wants to dance with the Moon, who appears in three forms (yellow, red, and silver) on human legs, and she dreams of her old toys. The delightfully bizarre, dreamlike illustrations of the girl’s fantastical night visions possess a simple elegance. And there’s a poignancy to Nasla’s decision, after she imagines ominous, long-armed ghosts and giant squids and hears “breathing in the dark,” to cling to a small blanket her mother gave her when she was a baby (her “secret charm”)—to keep herself safe from the yellow eyes (their source is revealed as feline at the book’s close) and the eccentric and surreal creatures she sees in her mind’s eye. Nasla has pale skin and bright red hair.
Trippy and touching. (Picture book. 4-10)Pub Date: Sept. 15, 2020
ISBN: 978-1-61689-950-9
Page Count: 32
Publisher: Princeton Architectural Press
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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