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LOOSE ENDS

THE EVOLUTION OF CONSCIOUSNESS PART I

While certain recollections fall flat, this account’s pace and sincerity never slacken.

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A writer combines a memoir with a European travelogue.  

This debut book begins with Hunt touching on some aspects of her childhood. She grew up in California and attended a Christian school. At the age of 16, she had a simple passion: basketball. But she suffered an injury during her junior year that dashed her hopes for a college career in the sport. She went on to attend the University of California, San Diego, as a regular student. It was there that she joined a sorority and plunged headfirst into Greek life. This would include dating a lackluster fraternity guy, drinking too much, and feeling an urge to study abroad. She interned at a small film company, which involved taking lunch orders and summarizing movie scripts. It was while working in the trenches of cinema that she decided that her true ambition was to become a screenwriter. But she needed a break from the West Coast. That respite came in participating in a program to teach English in Spain. Her time in Europe also involved exploring other countries and, thanks to Couchsurfing.com, the people who lived there. Christmas in France and New Year’s in Germany allowed her to experience things she hadn’t imagined, whether they came in forms pleasant or otherwise. The memoir zips along with a friendly ease. Whether the author is relating the trials of working at a swank hotel or waking up next to a stranger in Berlin, the tales are told with a cool earnestness. “Do not talk to me,” Hunt recalls telling someone after a bizarre and unpleasant dinner party. And while strange adventures make for good copy, not every event is quite as memorable. The author, while in college, went to see the artist Timbaland perform (“I fucking loved Timbaland,” she explains). But not much of substance happens at the concert. Hunt’s takeaway from Los Angeles, that the “LA scene was magnetizing,” might have been better portrayed in a more economical form. Yet in the end, all of the vivid stories in this series opener help to make a very personal whole. Although every detail may not thrill, readers will wind up with a full, honest reflection of one woman’s young life.    

While certain recollections fall flat, this account’s pace and sincerity never slacken.         

Pub Date: N/A

ISBN: 978-1-73408-570-9

Page Count: 280

Publisher: North Node International

Review Posted Online: Nov. 26, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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