by Cee Hunt ‧ RELEASE DATE: N/A
While certain recollections fall flat, this account’s pace and sincerity never slacken.
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A writer combines a memoir with a European travelogue.
This debut book begins with Hunt touching on some aspects of her childhood. She grew up in California and attended a Christian school. At the age of 16, she had a simple passion: basketball. But she suffered an injury during her junior year that dashed her hopes for a college career in the sport. She went on to attend the University of California, San Diego, as a regular student. It was there that she joined a sorority and plunged headfirst into Greek life. This would include dating a lackluster fraternity guy, drinking too much, and feeling an urge to study abroad. She interned at a small film company, which involved taking lunch orders and summarizing movie scripts. It was while working in the trenches of cinema that she decided that her true ambition was to become a screenwriter. But she needed a break from the West Coast. That respite came in participating in a program to teach English in Spain. Her time in Europe also involved exploring other countries and, thanks to Couchsurfing.com, the people who lived there. Christmas in France and New Year’s in Germany allowed her to experience things she hadn’t imagined, whether they came in forms pleasant or otherwise. The memoir zips along with a friendly ease. Whether the author is relating the trials of working at a swank hotel or waking up next to a stranger in Berlin, the tales are told with a cool earnestness. “Do not talk to me,” Hunt recalls telling someone after a bizarre and unpleasant dinner party. And while strange adventures make for good copy, not every event is quite as memorable. The author, while in college, went to see the artist Timbaland perform (“I fucking loved Timbaland,” she explains). But not much of substance happens at the concert. Hunt’s takeaway from Los Angeles, that the “LA scene was magnetizing,” might have been better portrayed in a more economical form. Yet in the end, all of the vivid stories in this series opener help to make a very personal whole. Although every detail may not thrill, readers will wind up with a full, honest reflection of one woman’s young life.
While certain recollections fall flat, this account’s pace and sincerity never slacken.Pub Date: N/A
ISBN: 978-1-73408-570-9
Page Count: 280
Publisher: North Node International
Review Posted Online: Nov. 26, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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