A charming debut about a thoughtful, creative preteen connecting to both halves of her identity.

THE FIRST RULE OF PUNK

Malú wants to be totally punk at her new middle school, but her Mexican-American mother would prefer she learn to be a proper señorita.

Twelve-year-old María Luisa O’Neill-Morales, aka Malú, loves punk-rock music, hanging out at her father’s indie record store, and making zines. She doesn’t love moving from her home in Gainesville, Florida, to Chicago for her professor mother’s two-year appointment at a university. Although she loves both of her amicably divorced parents, Malú—who favors Chuck Taylors and music T’s—feels closer to her laid-back, artsy white father than her supportive but critical academic mother, whom she calls “SuperMexican.” At Malú’s new majority-Latino school, she quickly makes an enemy of beautiful Selena, who calls her a “coconut” (brown on the outside, white on the inside) and warns her about falling in with the class “weirdos.” Malú does befriend the school misfits (one activist white girl and two fellow “coconuts”) and enlists them to form a band to play a punk song at the Fall Fiesta. Middle-grade readers will appreciate the examples of Malú’s zines and artwork, which delightfully convey her journey of self-discovery. The author surrounds the feisty protagonist with a trio of older women (including her mom, her best friend Joe’s tattooed, punk-loving mother, and his humorous Abuela) who help her embrace being Mexican and punk.

A charming debut about a thoughtful, creative preteen connecting to both halves of her identity. (Fiction. 9-13)

Pub Date: Aug. 22, 2017

ISBN: 978-0-425-29040-8

Page Count: 304

Publisher: Viking

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: June 15, 2017

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Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

HOLES

Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

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This engaging, heartwarming story does everything one can ask of a book, and then some.

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WHEN STARS ARE SCATTERED

A Somali boy living in a refugee camp in Kenya tries to make a future for himself and his brother in this near memoir interpreted as a graphic novel by collaborator Jamieson.

Omar Mohamed lives in Dadaab Refugee Camp in Kenya with his younger brother, Hassan, who has a seizure disorder, and Fatuma, an elderly woman assigned to foster them in their parents’ absence. The boys’ father was killed in Somalia’s civil war, prompting them to flee on foot when they were separated from their mother. They desperately hope she is still alive and looking for them, as they are for her. The book covers six years, during which Omar struggles with decisions about attending school and how much hope to have about opportunities to resettle in a new land, like the United States. Through Omar’s journey, and those of his friends and family members, readers get a close, powerful view of the trauma and uncertainty that attend life as a refugee as well as the faith, love, and support from unexpected quarters that get people through it. Jamieson’s characteristically endearing art, warmly colored by Geddy, perfectly complements Omar’s story, conjuring memorable and sympathetic characters who will stay with readers long after they close the book. Photographs of the brothers and an afterword provide historical context; Mohamed and Jamieson each contribute an author’s note.

This engaging, heartwarming story does everything one can ask of a book, and then some. (Graphic memoir. 9-13)

Pub Date: April 14, 2020

ISBN: 978-0-525-55391-5

Page Count: 264

Publisher: Dial Books

Review Posted Online: Jan. 26, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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