by Celia Sacido ; illustrated by Celia Sacido ; translated by Jon Brokenbrow ‧ RELEASE DATE: Sept. 1, 2020
A satisfying, uplifting discovery.
This wordless Spanish import features a dog and human companion out for a stroll; one of them spies a stick.
The adult is of indeterminate race. Like the color of the dog and the approaching birds, the body appears to have been created with a black implement (a pencil?) on a textured surface, developed with areas of shadow and light. After the blue stick is thrown several pages away, distractions delay the curious hound. Finally ready to retrieve, the dog notices a bird poised upon the other end. Children will look carefully, flipping back and forth to check their interpretations of the ensuing pages. Sacido has done a masterful job of inviting focus and showing movement with splashes of color, changes in texture, and the judicious use of motion lines in her compositions. Understated, uncluttered spreads, printed on smooth, heavy (and ecologically friendly) paper, never feel empty. There are crown-shaped plantings, an occasional tree, and one glorious spread of birds gazing at viewers in a green field with yellow flowers. When the bird soars off with its flock and stick and the canine returns to the bemused owner with a flower, readers are left to imagine what the dog and person are thinking and feeling. This narrative is a marvelous antidote to the message-driven “it’s mine” tug-of-war dramas often encountered in literature for the young.
A satisfying, uplifting discovery. (Picture book. 3-6)Pub Date: Sept. 1, 2020
ISBN: 97884-16733-80-4
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: March 31, 2026
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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