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BIRTHDAY

A fanciful contemplation of the writer's life that is not quite a novel or a memoir but a whimsical combination of the two.

One of Argentina’s most talented and celebrated iconoclasts meditates on his 50th birthday.

The wildly prolific writer Aira (The Linden Tree, 2018, etc.) looks back on his life in the wake of his 50th birthday—with a book that's published in English to coincide with his 70th. As per his modus operandi, it’s a slim but thoughtful affair, punctuated by numerous bons mots, acidic self-deprecation, and cutting observations about the world around him. It starts with a mundane quarrel with his wife—“who doesn’t always appreciate my sense of humor"—about the phases of the moon and proceeds apace. “It would be less dramatic, but much more plausible, to say that it wasn’t a moment but a process: the process of wasting time, which is long by its very nature,” Aira writes. “At my age, it’s impossible to contemplate the eternities of time that I wasted in my youth without a certain horror….The hours, the days, the years, the decades squandered. And it is poetically just, in a way, that the apparent victim should have been the moon, that poetic reminder of wasted time.” It’s a trifle when compared to the author’s body of work, but it’s an eminently readable one, rife with keen observations about passers-by, notes about the author’s unique style and why it changed over time, and ruminations on how the author has dealt with the inscrutable eventualities of aging. As with all this writer’s outlandish novels, numbering nearly 100 by this point, the writing is whimsical, humorous, and poignant by turns. Yet there’s still a finality by the end that readers of Aira’s age may find painfully true: “To write, you have to be young; to write well, you have to be a young prodigy. By the time you get to fifty, much of that energy and precision is gone.”

A fanciful contemplation of the writer's life that is not quite a novel or a memoir but a whimsical combination of the two.

Pub Date: Feb. 26, 2019

ISBN: 978-0-8112-1909-9

Page Count: 128

Publisher: New Directions

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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