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A GESTURE LIFE

From the author of the award-winning Native Speaker (1995), a remarkable portrait of a distinctively tragic, expansive man coming of age in America. “Doc” Hata (once Kurohata), a Japanese-American pharmacist in the fraying town of Bedley Run, New York, is no troubled youth, which is the first of unexpected—and welcome—fulfillments here: a story in which an American man “appreciate[s] the comforts of real personhood, and its attendant secrets” only after he’s retired. A lifelong bachelor, Hata, a Japanese veteran of WWII, enjoys the comforts of a well-established, socially comfortable life. After a minor accident at home, Hata is taken to the hospital and hears of the death of Mary Burns, as well as news of his estranged daughter, Sunny. Having adopted Sunny when she was eight, Hata recalls the painful dissolution of his relation with her—a breach that originated with the abortion he insisted on for his daughter when she was 18. Mary Burns, a widow who had not only helped Hata with Sunny but had been his lover, amicably leaves him after finding him unable to return her affection. Startled to feel such loneliness at the center of his otherwise contented life, Hata finds its root in his wartime months with Kkutaeh, an unforgettably evoked comfort woman who was consigned to Hata’s care in his outpost during the war. Called “K,” she was a Korean-born, Japanese-raised woman of fine intelligence and sweeping grace, a companion soul he fell in love with but was unable to save from death. In these scenes, Lee’s prose and dramatic momentum carry a lean, rich precision to indelible effect: his writing is washed in a shimmer of suppressed grief, and it brings Hata to a bright, calm, right reconciliation with his daughter, his past, and with himself. Lee is a writer of exquisite intimacy and delicate disclosures—and in Hata, he’s found the perfect means to explore these gifts.

Pub Date: Sept. 7, 1999

ISBN: 1-57322-146-5

Page Count: 288

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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