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WHEN BROKEN GLASS FLOATS

GROWING UP UNDER THE KHMER ROUGE

A simply told, yet inspirational memoir about the reign of the Khmer Rouge that helps to shed light on the plight of the...

A worthy and compelling debut by Him, a survivor of the brutal regime of the Khmer Rouge.

In 1975 the Khmer Rouge gained power in Cambodia, leaving a wake of destruction and terror in their path. In this graphic memoir, told from a child's perspective, Him vividly recounts her memories of the war, which began when she was a child of four. Separated and forced into labor camps, death and illness became constant companions to the Him family—of the 12 of them, only 5 survived. Yet, throughout her struggles and losses, Him's enduring hope, strength, and family loyalty gave her the courage to carry on. Sponsored by an uncle in Oregon, Him and her siblings were finally able to escape Cambodia in 1981 after years of torture and neglect. They have attempted to build new lives but even to this day they are continuously haunted by their tragic memories. “I have been reincarnated with a new body, but an old soul. It lives symbiotically inside of me,” Him says in her introduction. Him is just one of the thousands of Cambodian refugees who feel this way. Since 1989, the author has been involved as a researcher on the Khmer Adolescent Project, a federally-funded study of post-traumatic stress disorder among young Cambodian refugees. It was their stories (as well as her own) echoing in Him’s mind that brought her to write this story. Her memoir seems to be both an attempt to face her own circumstances as well as to open the past and avenge the victims of the Khmer Rouge.

A simply told, yet inspirational memoir about the reign of the Khmer Rouge that helps to shed light on the plight of the Cambodian people. (photos)

Pub Date: April 17, 2000

ISBN: 0-393-04863-2

Page Count: 330

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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WHERE I WAS FROM

Demonstrates how very thin is the gilt on the Golden State.

With humor, history, nostalgia, and acerbity, Didion (Political Fictions, 2001, etc.) considers the conundrums of California, her beloved home state.

Pieces of this remarkable memoir have appeared in the writer’s usual venues (e.g., the New York Review of Books), but she has crafted the connections among them so artfully that the work acquires a surprising cumulative power. Didion tells a number of stories that would not in lesser hands appear to be related: the arrival in California of her pioneer ancestors, the nasty 1993 episode involving randy adolescents who called themselves the “Spur Posse,” the fall of the aerospace industry in the 1990s, her 1948 eighth-grade graduation speech (“Our California Heritage”), the history of the state, and the death of her parents. Along the way she deals with some California novels from earlier days, Jack London’s The Valley of the Moon and Frank Norris’s The Octopus, and explores the community histories of Hollister, Irvine, and Lakewood (home of the Posse). She sees fundamental contradictions in the California dream. For one, older generations resented the arrival of the “newcomers,” who in their minds were spoiling the view. But as Didion points out, the old-timers had once done the same. More profound is her recognition that Californians, many of whom embrace the ideal of rugged individualism and reject “government interference,” nonetheless have accepted from the feds sums of money vast enough to mesmerize Midas. Water-management programs have been especially costly, but tax breaks for all sorts of other industries and enterprises have greatly enriched some in the state (railroad magnates, housing developers, defense contractors) while most everyone else battles for scraps beneath the table. Most affecting are her horrifying portrait of Lakewood as a community devoted to high-school sports at the expense of scholarship and her wrenching accounts of the deaths of her father and mother.

Demonstrates how very thin is the gilt on the Golden State.

Pub Date: Sept. 29, 2003

ISBN: 0-679-43332-5

Page Count: 240

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

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THREE WOMEN

Dramatic, immersive, and wanting—much like desire itself.

Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.

In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.

Dramatic, immersive, and wanting—much like desire itself.

Pub Date: July 9, 2019

ISBN: 978-1-4516-4229-2

Page Count: 320

Publisher: Avid Reader Press

Review Posted Online: May 19, 2019

Kirkus Reviews Issue: June 15, 2019

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