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A NEW SLANT ON ACTING

A slim but pragmatic and helpful manual for navigating a film set.

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An industry primer offers novice actors a guide to surviving their early careers in Hollywood.

For new actors freshly arrived in Hollywood, getting to practice their craft on a real film set is probably the main thing on their minds. But successful actors know that there is a lot more expected of them on a movie set than mere acting. With this book, Mongiello (Start Your Own Screen-Printing Business, 2008) seeks to prepare actors for operating within the world of the film set so that they can give the finest performances and leave the best impressions. Some “actors will overwork themselves and their crews because they don’t know some basics that make for a much better movie,” writes the author in her foreword. “If you remember the suggestions in this book, then directors, producers, and crews will want to hire you over and over again.” Mongiello preaches the gospel of professionalism: showing up prepared, on time, and agreeable. She describes the processes of a set, from call sheets and one-liners to the various responsibilities of gaffers, grips, and script supervisors. She also goes into the etiquette of working with directors, hitting a mark, navigating hair and makeup, and practicing on-set ethics. In addition, the author delivers off-set advice regarding acting classes, coaches, and that trickiest of topics: money. Despite a few peculiarities (the volume is dedicated to “my dearest friend, L. Ron Hubbard”), Mongiello’s manual supplies advice that is generally practical and sound. Her prose is direct and easy to follow, as here when she provides a tip for preserving emotional continuity during scenes shot out of order: “A good way to keep track of all this is to get a hold of the continuity one-liners the script supervisor makes. These are like a table of contents for the movie. Underneath each one-liner write what the character is going through.” The work is a quick read without much filler. The author is a fellow thespian taking a newbie under her wing. Even if her counsel is sometimes clipped, it comes from lived experience and will save actors the pain of learning it for themselves.

A slim but pragmatic and helpful manual for navigating a film set.

Pub Date: April 2, 2019

ISBN: 978-1-5320-7089-1

Page Count: 158

Publisher: iUniverse

Review Posted Online: Sept. 20, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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