Pseudonymous first novel by a ``prizewinning author of distinguished nonfiction'' who died in 1992: an earnest, absorbing, if occasionally awkward, tale that explores the nature of love and happiness as it traces the descent and recovery of an isolated urban drinker. The only son of a poor Episcopalian minister and his bitter, hypercritical wife, Frederick Fay grew up in 1930's Connecticut in a state of acute shyness and self-loathing. His skill at fleeing schoolyard bullies eventually led to a track scholarship to Princeton, where Fred was so dazzled by his wealthy, preppy classmates that he internalized every detail of their manner and dress. Winning a job at an N.Y.C. ad agency, Fred doggedly pursued his climb up the social ladder, taking time out for a job in the Air Force during WW II. Then, back in New York, Fred resumed his career, married socialite Julia Fanshawe, and moved into an apartment in Sutton Place. Soon, however, the stress of keeping up appearances—despite no real friends, a loveless marriage, and an inability to perform his job—led Fred to drinking. When, in quick succession, he was fired from his job, discovered his wife in bed with a woman friend, and lost Fran Collins, his passionate but lower-class lover, Fred drank himself into oblivion until a therapist gradually pulled him out of his depression. Now, fleeing to tiny Sheep Island off the New England coast, Fred constructs a home for himself as another form of therapy. Gradually forging a few honest connections with residents, he even takes a job as the local garbageman in his efforts to learn how life should truly be lived. Miraculously, his former lover returns to him. Thus all live happily ever after in what is less a credible work of a fiction than a working-out of what it means to be real. A Pinocchio story for grown-ups: mostly affecting, even if its workings do show.
Pub Date: Feb. 28, 1994
ISBN: 0-06-019050-7
Page Count: 480
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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