by Charles Bukowski edited by Abel Debritto ‧ RELEASE DATE: Aug. 1, 2015
Always passionate, frequently funny, occasionally incoherent excerpts from a significant 20th-century American writer.
A selection of writing on writing from the “Dirty Old Man” of American letters.
Those who know Bukowski (1920-1994) as a barfly caricature will find revelation throughout these letters to editors and to fellow writers, Henry Miller and Lawrence Ferlinghetti among them. Many will be surprised at how well-read he was and how seriously he took his art. As he complains of aggressive editing, “my writing is jagged and harsh, I want it to remain that way. I don’t want it smoothed out.” He rails against those who aspire to fame, who think that anyone can teach writing, and who adhere to the strictures of academic rules. He proclaims himself “King of the hard-mouth poets” and “the Dostoyevsky of the ’70s” and dismisses more refined poems as “bloodless butterflies” and “stilted formalism, like chewing cardboard.” Bukowski’s rants are great fun to read, often illuminating and inspirational. Their chronological progression presents a kind of alternative memoir to the thinly disguised autobiography of his fiction, since the life that informs the writing keeps seeping through the selected passages. However, there is plenty of obsessive repetition here, perhaps partly because of the format of the letters, which were never meant to be read as a whole, and partly because of the nature of alcoholism. “To get through this game drinking helps a great deal,” he writes of the writing racket, “although I don’t recommend it to many. Most drunks I’ve known aren’t very interesting at all. Of course, most sober people aren’t either.” Of his foray into film collaboration with the autobiographical Barfly, he writes of his surprise that the director “wants a plot and an evolvement of character. shit, my characters seldom evolve, they are too fucked-up. they can’t even type.” Drawings and handwritten notes enhance the intimacy and vitality of the selections.
Always passionate, frequently funny, occasionally incoherent excerpts from a significant 20th-century American writer.Pub Date: Aug. 1, 2015
ISBN: 978-0-06-239600-6
Page Count: 224
Publisher: Ecco/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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