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A CHRISTMAS CAROL

The lessons Scrooge learned are still valuable and worthy of passing along to younger readers, who can meet these famous...

Gloomy old Scrooge glowers menacingly from the cover in this lavishly illustrated abridgement of the beloved Christmas story.

Evocative illustrations created with watercolor and digital media set the mood with endpapers presenting a panoramic view of sooty Victorian London. As the familiar story unfolds, the dark, brooding skies and smoky fog of city streets are juxtaposed with glowing, happy scenes of a long-ago party and the Cratchit family sitting down to Christmas Eve dinner. Scrooge exhibits a wide variety of emotions in his encounters with the four ghosts of the story, including quite scary apparitions of Marley and the black-robed Ghost of Christmas Yet to Come. Most illustrations are double-page spreads, with a few paragraphs of text integrated within the illustrations. The competent adaption retains some of the flavor of the original Dickens story while shortening it and simplifying its language. Unfortunately, Scrooge’s famous promise to honor Christmas in his heart is missing. With its extra-large trim size and compelling illustrations, this version would make a fine read-aloud for an elementary-age group or a useful introduction before attending the play. It is similar in size and artistic interpretation to the 2009 edition adapted by Josh Greenhut and illustrated by Brett Helquist.

The lessons Scrooge learned are still valuable and worthy of passing along to younger readers, who can meet these famous characters and learn the origin of the oft-quoted “Humbug!” (Picture book. 6-12) 

Pub Date: Oct. 20, 2015

ISBN: 978-0-553-51199-4

Page Count: 48

Publisher: Doubleday

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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A WOLF CALLED WANDER

A sympathetic, compelling introduction to wolves from the perspective of one wolf and his memorable journey.

Separated from his pack, Swift, a young wolf, embarks on a perilous search for a new home.

Swift’s mother impresses on him early that his “pack belongs to the mountains and the mountains belong to the pack.” His father teaches him to hunt elk, avoid skunks and porcupines, revere the life that gives them life, and “carry on” when their pack is devastated in an attack by enemy wolves. Alone and grieving, Swift reluctantly leaves his mountain home. Crossing into unfamiliar territory, he’s injured and nearly dies, but the need to run, hunt, and live drives him on. Following a routine of “walk-trot-eat-rest,” Swift traverses prairies, canyons, and deserts, encountering men with rifles, hunger, thirst, highways, wild horses, a cougar, and a forest fire. Never imagining the “world could be so big or that I could be so alone in it,” Swift renames himself Wander as he reaches new mountains and finds a new home. Rife with details of the myriad scents, sounds, tastes, touches, and sights in Swift/Wander’s primal existence, the immediacy of his intimate, first-person, present-tense narration proves deeply moving, especially his longing for companionship. Realistic black-and-white illustrations trace key events in this unique survival story, and extensive backmatter fills in further factual information about wolves and their habitat.

A sympathetic, compelling introduction to wolves from the perspective of one wolf and his memorable journey. (additional resources, map) (Fiction. 8-12)

Pub Date: May 7, 2019

ISBN: 978-0-06-289593-6

Page Count: 240

Publisher: Greenwillow Books

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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