by Charles Dickens & illustrated by Alan Marks ‧ RELEASE DATE: Oct. 1, 1995
A more or less self-contained excerpt from the novel, in a creative abridgement done by Dickens for one of his public readings (Anthea Bell's afterword provides notes about these performances and the texts Dickens prepared for them). The fragile pen-and-ink drawings have been flooded with watercolor and given a smudged, atmospheric look. Marks (The Fisherman and His Wife, 1991, etc.) zeroes in on the basic dramatic premise of each scene—wet and dark exteriors, warm and dry interiors, characters engaged in lively conversation or sending each other meaningful looks. Marks's storytelling skills are further demonstrated by the different sizes of the pictures, their distribution, and layout—on the whole, they evocatively conjure this hearty tale, and will send readers off to the original. (Picture book. 8-12)
Pub Date: Oct. 1, 1995
ISBN: 1-55858-453-6
Page Count: 59
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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More by Charles Dickens
BOOK REVIEW
by Charles Dickens ; adapted by Brooke Jorden ; illustrated by David Miles
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by Charles Dickens & illustrated by Brett Wright
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by Charles Dickens ; adapted by Adam McKeown ; illustrated by Gerald Kelley
by Gaston Leroux & Erik Forrest Jackson ; illustrated by Owen Richardson ‧ RELEASE DATE: Oct. 17, 2017
There’s no bones about it: young readers will get a taste of the classic in a fun and humerus way (wocka wocka).
The Muppets put a humorous spin on the classic tragedy The Phantom of the Opera.
The plot is much the same as the original, with Muppets filling in for the original characters. Vicomte Kermit de Chagny and Mademoiselle Piggy Daaé are the main characters and love interests in this tragic tale. As in the classic, Piggy Daaé rises as a star of the Paris Opera House due to training from an Angel of Music, who in this tale is a Koozebanian of Music from the planet Koozebane (or is he?). The main difference between this book and the classic (other than the cast) is the conglomeration of time periods, with a mix of details drawn from both the 21st and the 19th centuries. This may cause older readers mild confusion at first, but children will likely read without inhibition, as the experience of coming across names and objects they recognize and some things they may not is a familiar one. This puntastic tale is full of beloved faces, such as the grouchy pranksters Statler and Waldorf. As in many children’s stories, there is entertainment for older readers with abundant modern references, often found in footnotes, as in a tidbit about Beaker’s burial alongside Oscar Wilde, Molière, and Jim Morrison.
There’s no bones about it: young readers will get a taste of the classic in a fun and humerus way (wocka wocka). (Fiction. 8-12)Pub Date: Oct. 17, 2017
ISBN: 978-0-451-53437-8
Page Count: 304
Publisher: Penguin Workshop
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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More by The Brothers Grimm
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by The Brothers Grimm & Erik Forrest Jackson illustrated by Owen Richardson
by Tom Angleberger & Paul Dellinger ‧ RELEASE DATE: Aug. 16, 2016
Provocative issues that never overwhelm storytelling make this a winner.
Vanguard Middle School’s no place for breaking rules; computerized Vice Principal Barbara sees to that.
Sixth-grader Maxine “Max” Zelaster and her friends struggle to pass the Federal School Board’s nonstop tests in the newly instituted Constant UpGrade program. The kids think they are doing well, but their grades don’t reflect their work. Their cumulative scores are dragged even lower by discipline tags and citizenship infractions, all noted by Barbara’s all-seeing electronic eyes. Enter Fuzzy, the government’s attempt to create a robot that will program itself. Scientists in the Robot Integration Program ask Max to show Fuzzy around because of her interest in robots, but this leads to further trouble for Max at school and at home; Barbara just seems to have it in for her. Fuzzy uncovers irregularities with test scoring and begins to suspect something’s wrong with the vice principal, but can he save his new friend Max while evading corporate spies and his creators’ plans for his future? Origami Yoda creator Angleberger teams up with science-fiction writer Dellinger for this funny, thrilling, and thought-provoking page-turner. Riffing on some of the same issues as Origami Yoda’s second trilogy—individuality and the dangers of standardized testing—the duo have crafted a day-after-tomorrow cautionary tale of friendship with a fuzzy, robotic heart.
Provocative issues that never overwhelm storytelling make this a winner. (Science fiction. 8-12)Pub Date: Aug. 16, 2016
ISBN: 978-1-4197-2122-9
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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More by Tom Angleberger
BOOK REVIEW
by Tom Angleberger ; illustrated by Tom Angleberger
BOOK REVIEW
by Tom Angleberger ; illustrated by Tom Angleberger
BOOK REVIEW
by Tom Angleberger ; illustrated by Tom Angleberger
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