by Charles Fergus ‧ RELEASE DATE: Aug. 1, 1998
A compelling mix of adventure, travel, natural history, and emotional recovery set against the exotic backdrop of an Icelandic summer. Nine months after his mother was stabbed to death by an intruder, Fergus retreated to Iceland for a healing season with his wife and 8-year-old son in a rudimentary sea cottage they called Little Lava. The solitude and privation (it’s reachable only by crossing a lava field and tidal flats, and then only at low tide; there’s no running water or electricity) are just what he needs to rebuild his life. Though he comes to terms with his mother’s death, the emotional rapprochement takes place offstage, and grief remains a subtext. The real focus is Iceland itself. For Fergus, a sportsman and naturalist (Swamp Screamer: At Large with the Florida Panther, 1996; A Rough-Shooting Dog: Reflections from Thick and Uncivil Sorts of Places, 1991), the country is both analogue and anodyne to his grief. “In Iceland I reveled in the emptiness of the land, which reflected the emptiness inside me,” he writes, but the oddities of a northern summer (which features 24 hours of daylight and weather by turns harsh and idyllic) and the elemental nature of his accommodations help him to begin functioning again: “Any act, of work or leisure, any untroubled thought, was an achievement. . . . helped draw me out of bleak and mindless lethargy.” He spends the interminable days hiking the rugged lava field from which the house takes its name, fishing, mountain climbing, sea kayaking and observing the myriad birds that breed on Iceland’s coast. Among his sightings, the discovery of a rare pair of nesting sea eagles stands out. And he evocatively describes Iceland’s many volcanoes, its dramatic sagas and bewitching folklore, and the legendary hospitality of its people. No tears, but plenty of convincing testimony to the redemptive powers of nature. (b&w illustrations)
Pub Date: Aug. 1, 1998
ISBN: 0-374-52552-8
Page Count: 240
Publisher: North Point/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1998
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by Hope Jahren ‧ RELEASE DATE: April 5, 2016
Jahren transcends both memoir and science writing in this literary fusion of both genres.
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Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.
The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.
Jahren transcends both memoir and science writing in this literary fusion of both genres.Pub Date: April 5, 2016
ISBN: 978-1-101-87493-6
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 4, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by Hope Jahren
by Jennifer Ackerman ‧ RELEASE DATE: April 12, 2016
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all...
Science writer Ackerman (Ah-Choo!: The Uncommon Life of Your Common Cold, 2010, etc.) looks at the new science surrounding avian intelligence.
The takeaway: calling someone a birdbrain is a compliment. And in any event, as Ackerman observes early on, “intelligence is a slippery concept, even in our own species, tricky to define and tricky to measure.” Is a bird that uses a rock to break open a clamshell the mental equivalent of a tool-using primate? Perhaps that’s the wrong question, for birds are so unlike humans that “it’s difficult for us to fully appreciate their mental capabilities,” given that they’re really just small, feathered dinosaurs who inhabit a wholly different world from our once-arboreal and now terrestrial one. Crows and other corvids have gotten all the good publicity related to bird intelligence in recent years, but Ackerman, who does allow that some birds are brighter than others, points favorably to the much-despised pigeon as an animal that “can remember hundreds of different objects for long periods of time, discriminate between different painting styles, and figure out where it’s going, even when displaced from familiar territory by hundreds of miles.” Not bad for a critter best known for bespattering statues in public parks. Ackerman travels far afield to places such as Barbados and New Caledonia to study such matters as memory, communication, and decision-making, the last largely based on visual cues—though, as she notes, birds also draw ably on other senses, including smell, which in turn opens up insight onto “a weird evolutionary paradox that scientists have puzzled over for more than a decade”—a matter of the geometry of, yes, the bird brain.
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all their diversity will want to read this one.Pub Date: April 12, 2016
ISBN: 978-1-59420-521-7
Page Count: 336
Publisher: Penguin Press
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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by Jennifer Ackerman illustrated by John Burgoyne
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