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A DEATH IN THE SMALL HOURS

The sixth in Finch’s steadily improving series (A Burial at Sea, 2011, etc.) develops the congenial continuing characters...

A member of Parliament prefers investigating over speechifying.

Even though he’s still called upon for advice by his protégé John Dallington, Charles Lenox has long since given up his practice as an investigator. A newborn daughter and a request from his party to give the opening speech at a Parliamentary session carry him even further away from his former career. So would an invitation from his uncle Frederick Ponsonby to bring his family for a visit to his lovely estate in Plumbley, Somerset—if it weren’t sharpened by a hint of mysterious vandalism. Deciding that it just may be the perfect place for the peace and quiet he needs to write his speech, Charles repairs with his wife, Jane, their infant, Sophie, and her nursemaid, the formidable Miss Taylor, to Plumbley, where Charles looks more closely into several cases of apparently senseless property damage. The case takes on a more serious turn when a young police constable is found stabbed to death. The locals are suspicious of Capt. Musgrave, a retired naval officer who married a local girl and moved to the village. His wife is rarely seen, and most of his neighbors are convinced that he’s mistreating her. Charles has the help of Dallington, who’s staying with them in disgrace after a drunken spree. Then, Freddie is kidnapped, and Charles must do everything possible to solve the crime and rescue his beloved uncle.

The sixth in Finch’s steadily improving series (A Burial at Sea, 2011, etc.) develops the congenial continuing characters further while providing quite a decent mystery.

Pub Date: Nov. 13, 2012

ISBN: 978-1-250-01160-2

Page Count: 320

Publisher: Minotaur

Review Posted Online: Sept. 15, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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FALSE MEMORY

Koontz widens his canvas dramatically while dimming the hard brilliance common to his shorter winners:1995’s taut masterpiece, Intensity, and 1998’s moon-drenched midsummer nightmare, Seize the Night. This time the author takes up mind control, wiring his tale into the brainwashing epics The Manchurian Candidate and last spring’s film The Matrix. The laser-beam brightness of his earlier bestsellers fades, however, as he stuffs each scene with draining chitchat and extra plotting that seldom rings with novelty. Martine “Martie” Rhodes, a video-game designer, has developed a rare mental disorder: autophobia, fear of oneself. Meanwhile, her husband Dusty’s young half-brother, Skeet Caulfield, has decided to jump off the roof of a building the two men are repairing—because Skeet has seen the Angel of the next world, who has revealed that things are pretty wonderful there, and he wants to come on over. Martie’s best friend, real-estate agent Susan Jagger, is newly coping with agoraphobia, fear of the outdoors. What’s more, Susan knows she’s being visited and raped at night by her separated husband, Eric, although all her doors and windows are locked. She can’t remember these rapes, but her panties are stained with semen. So when she sets up a camcorder to record her sleeping hours, she gets a huge surprise after viewing the tape. How these mental and physical events have come about—ditto the psychiatric background of the Keanuphobe millionairess who shows up (yes! she fears Keanu Reeves)—has something to do with the ladies’ psychiatrist, Dr. Mark Ahriman, the son of a famous dead movie director whose eyes the doctor keeps in a bottle of formaldehyde and studies, in hopes of siphoning off Dad’s inspiration. Although the whole story could have been told to better effect in 300 pages, Koontz deftly sidesteps clichÇs of expression while nonetheless applying an air pump to the suspense: an MO that keeps his yearly 17-million book sales afloat.

Pub Date: Dec. 28, 1999

ISBN: 0-553-10666-X

Page Count: 640

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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MURDER MAKES SCENTS

Utter non-scents.

Die-hard Yankee candle maker Stella Wright (Murder’s No Votive Confidence, 2018) gets caught up in a trans-Atlantic murder plot.

Stella thoroughly enjoys her trip to Paris even though her mother, perfume expert Millie Wright, who’s scheduled to speak on a panel entitled “The Art of Scent Extractions” at the World Perfumery Conference, gets preempted by a murder. Sadly, once they’re back home in Nantucket, things get even weirder. Stella receives an anonymous note threatening her mom if Stella doesn’t turn over a secret formula hidden in Millie’s bag. Her mom can’t help because she’s in the hospital courtesy of an overenthusiastic attempt by Stella’s cat, Tinker, to befriend her. While trespassing on a suspicious sailboat, Stella meets U.S. Agent Sarah Hill, who warns her that well-known anarchist Rex Laruam plans to disrupt the upcoming Peace Jubilee using a stolen formula he secreted in Millie’s bag after he stabbed the agent guarding it back in Paris. Ignoring the advice of her friend Andy Southerland, a Nantucket cop, to leave detection to the professionals, Stella tries to unmask the elusive Laruam. As she spies on a bevy of unlikely suspects, the plot spirals further and further out of control: There’s a Canadian couple staying at an Airbnb run by Stella’s cousin Chris who whisper sweet but suspicious nothings in the dark, a shovel-wielding schoolmarm, a gang of old geezers who have a collective crush on Millie, a surprise 30th-birthday party planned by Stella’s beau, Peter Bailey, and an even more surprising impromptu airplane ride.

Utter non-scents.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4967-2141-9

Page Count: 272

Publisher: Kensington

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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