Lots of sex, lots of drugs, and even a little rock ‘n’ roll—there’s something for every scandal lover in this rollicking, dirt-dishing account of the life and times of Hollywood producer Don Simpson. Movie insiders credit Simpson with inventing high-concept movies—the action-packed, loud, flashy, simplistic, but tightly structured films, that crowd the multiplexes every summer. With his producing partner, Jerry Bruckheimer, he certainly hauled in great gusts of money with films such as Flashdance, Top Gun, and Crimson Tide. Simpson’s life was as big and in-your-face as his creations. He hit Hollywood as a junior studio executive and quickly climbed the corporate ladder. But his increasingly public drug habit eventually got him fired. Financially, this was the best thing that ever happened to him. He and Bruckheimer teamed up as independent producers and began to crank out the movies that would make them feared and loathed and celebrated. If anything, success upped the ante of Simpson’s misbehavior—from even more drugs to a constant stream of hookers to epic mistreatment of subordinates. But the powerful absolution of success kept him working until his heart gave out when he was 52. In his first book, Fleming, a former staff writer for Variety and Newsweek, is not so much interested in Simpson the man (in fact, in strictly biographical terms, this book is a failure), but Simpson the poster boy for ’80s excess. This leads to long, tell-tale digressions on Hollywood seaminess. This oft-told tale features the usual suspects (Heidi Fleiss, Charlie Sheen, Jack Nicholson), but Fleming does manage to dig up enough juicy, original tidbits to slake all but the most jaded prurient appetites. A tale full of sound and fury but signifying little beyond gossip. (Author tour; radio satellite tour)
Pub Date: May 1, 1998
ISBN: 0-385-48694-4
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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