by Charles Foster ‧ RELEASE DATE: June 21, 2016
A splendid, vivid contribution to the literature of nature.
In which an English author, tired of the high street, takes to the fens and burrows to learn how animals live.
What does an otter do? One imagines a life of lolling in a sparkling tidal pool, nibbling on salmon. Is there more to it? Indeed, writes Oxford ethicist and veterinarian Foster. For one thing, there’s a matter of negotiating rivers down to the sea, “Ruskin on acid; all hanging greenery; soft focus from the spray—it’s too much.” Clearly, this isn’t your grandmother’s Ring of Bright Water but instead a daringly imaginative project to see the world from the viewpoints of various animals that wouldn’t be out of place in The Wind in the Willows: badger, otter, swift, fox, red deer. Their world is fraught with danger, not least because of the too-insistent, too-impingent presence of our kind. The project is daring precisely because it courts the two sins of nature writing, anthropomorphism and anthropocentrism, the latter describing the world as it appears to humans, “perhaps commercially shrewd,” Foster grumps, but “rather dull,” and the former depicting the animal world as being a mirror of the human. It is not: Foster, in inhabiting that world, attempts to get at its essential alien nature, whether routing through badger tunnels whose geography is determined by where the bones of badgers past and passed-away lie or racing against dogs in the guise of a vulpine: “Apart from swifts, foxes were the most obviously alive things I knew.” There’s not an ounce of sentimentality in any of it, but instead good science and hard-nosed thought. Furthermore, Foster has the gift of poetry, and he closes with a meditation on what knowing about the animal orders and the natural world can mean to humans: “If we live in a wood,” he writes, “we acquire the accents of the trees.”
A splendid, vivid contribution to the literature of nature.Pub Date: June 21, 2016
ISBN: 978-1-62779-633-0
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: April 18, 2016
Kirkus Reviews Issue: May 15, 2016
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Helen Macdonald ‧ RELEASE DATE: March 3, 2015
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
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An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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