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A POEM IS A FIREFLY

A charming ode for beginning young bards.

A poem defined in poetry.

A group of woodland creatures crowds around a book asking a question that many wonder: “What’s a poem?” One rabbit’s answer, that “a poem can be anything,” doesn’t add much clarity. A bewildered bear asks, “What? / What can a poem be?” Each animal offers possibilities. Wise owl believes that “a poem is a whisper. / Whooooooo.” But a playful wolf thinks the opposite: “A poem is a shout. / Hoooowllllllll.” A prickly hedgehog explains (as it performs a swan dive that ends with it curled into a ball), “A poem is a thought … / … turned inside out.” The smooth sway of each animal’s answer lets readers begin to feel what poetry is. The musical language dips and crescendos. A tiny spider offers, “A poem is a spiderweb / spun with words of wonder… / … like woven lace held in place / by whispers made of thunder.” With backgrounds rendered in a palette dominated by greens and yellows of the daytime, then modulating to the deep blues of the forest night, Hyde’s stylized, stuffed-toy–like depictions of the animals add whimsy to their deep thoughts. Poetry is not easily defined, but it echoes long after it’s been read: “Follow it and trust your way / with mind and heart as one. / And when the journey’s over, / you’ll find you’ve just begun.”

A charming ode for beginning young bards. (Picture book. 3-8)

Pub Date: May 28, 2021

ISBN: 978-0-7643-6108-1

Page Count: 32

Publisher: Schiffer

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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