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BROTHERLY LOVE

MURDER AND THE POLITICS OF PREJUDICE IN NINETEENTH-CENTURY RHODE ISLAND

An intriguing account of a New England rush to judgment in the Jacksonian Era. The murder of textile manufacturer Amasa Sprague on New Year's Eve 1843 in Spragueville, Rhode Island, launched an enthusiastic but careless manhunt led by the victim's brother William (US senator from Rhode Island) and carried out by longtime residents of town. Within 24 hours, even though no physical evidence was found to tie them to the crime, three Irish brothers were arrested. The theory was that Nicholas Gordon, furious over Amasa Sprague's opposition to his renewal of a liquor license, had retaliated by enlisting brothers John and William in a murder conspiracy. The Hoffmanns (both English/University of Rhode Island) carefully explain the political tensions that colored the case (Yankee farmers in remote rural areas felt threatened by Irish immigrants, as well as by reformers who sought to change the state's constitution in order to institute universal adult white-male suffrage). The prosecution charged that John and William Gordon had killed at their brother's request because ``the tie of kindred is to an Irishman almost an indissoluble bond,'' while the judge urged jurors to weigh the character of prosecution witnesses versus that of Irish defense witnesses. Nevertheless, the evidence against the brothers was so weak that one was acquitted, a second was freed after two hung juries, and the third was convicted in what came to be seen as a miscarriage of justice. John Gordon's execution—the last in the state—caused so much guilt that seven years later it contributed to Rhode Island's abolition of capital punishment. The conclusion here—that William Sprague had conspired to kill his senior business partner, the overly cautious Amasa—is supported only by speculation about motive and opportunity, but the authors have little doubt that William helped engineer the death of an innocent man. Well-researched local history on a still timely issue: the effect of class and ethnicity on criminal justice. (Seven b&w illustrations)

Pub Date: Oct. 1, 1993

ISBN: 0-87023-852-3

Page Count: 240

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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