Devotional poetry that uplifts and inspires.
Hopson’s poetry reminds the reader of God’s redeeming love with persistence and grace.
On every page of Hopson’s collection, in the upper right-hand corner, there is a cross taking up roughly one quarter of the space. Its omnipresence is symbolic for Hopson, a poet for whom the saving power of Jesus’ life and death is never far from mind. There is a perfect demonstration of this idea in the piece aptly titled “Meanwhile,” which opens in medias res: “Meanwhile, back at the cross / Where we met our hero, / The air was calm and silent. / All around was felt the sorrow — / Innocent, blood-soaked ground, / A sentence of misjudging.” For the poet, it seems, Christ’s sacrifice happens eternally; meanwhile, we go about our daily lives. The author doesn’t want us to forget this simple, striking truth. Hopson notes that he never got past the ninth grade, but his verse nonetheless shows a fine intellect at work. He prefers writing in quatrains, tidy four-line blocks with end rhymes connecting the second and last lines. Sometimes, these stanzas stretch out, as in the elegant, playful “Soul Provider”: “We feast on the abundance of your house. / We drink from your river of delight. / Life’s fountain flows from deep within you. / From your radiance, we receive our light.” The rhyme here—“delight” and “light”—is carefully chosen, emphasizing the “radiance” of divine love. Elsewhere, Hopson’s stanzas are much briefer—even terse—as in “Tattered”: “Space in time / Slightly ajar, / All in all / Who you are.” Yet even in these quick jabs of language, we see the poet’s wit and passion. Perhaps the volume’s only defect is that the author so seldom wanders from what is obviously his preferred form. Hopson is an able poet, and we’d love to see him try his hand at a wider variety of structures and styles.
Devotional poetry that uplifts and inspires.Pub Date: April 17, 2018
ISBN: 978-1-973623-35-9
Page Count: 136
Publisher: Westbow Press
Review Posted Online: Oct. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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