by Charles M. Sennott ‧ RELEASE DATE: Nov. 2, 1992
The spectacular rise and fall of Bruce Ritter—Catholic priest, founder of Covenant House, accused pederast—told by the newspaper reporter who broke the story. Now deputy city editor of N.Y.C.'s Daily News, Sennott was a reporter for The New York Post when rumors surfaced about sexual and financial corruption at Covenant House, a Catholic shelter for homeless children with branches throughout North America. This wasn't small potatoes: Covenant House was one of America's largest charities, a cornerstone of the Reagan-Bush Thousand Points of Light program; Ritter, a national hero, had been idolized on 60 Minutes and acclaimed as ``America's answer to Mother Teresa.'' Not quite, as it turned out. Sennott depicts a man ruled from his earliest years by arrogance and lust for power, someone who was quite willing to sell out to right-wing megabucks in order to expand his empire. The pity is that Covenant House undoubtedly saved thousands of children from perdition. As Sennott explains in the book's best scenes, Ritter was once a street-smart priest with a real knack for giving cops the runaround while helping out castoff kids. The nightmare is that he sexually seduced some of these kids—or so Sennott believes on the testimony of many accusers, although Ritter maintains his innocence to this day. Sennott adds his own needless spice to the story, including overbaked descriptions (``his face turned from a warm smile to a cold landscape of deep lines and dramatic ridges, like storm clouds sweeping over the sunlit hills''), but makes up for it with a breakneck pace and some tantalizing glimpses of life at the Post, like the frantic 3:00 a.m. search for a socko headline to break the story (among the spurned: ``Turn the Other Cheek''; Kingdom Cum''; ``Our Father Who Art in Kevin''). Ferocious digging produces little depth but plenty of dirt. Great bus or subway reading. (Eight pages of b&w photographs—not seen.)
Pub Date: Nov. 2, 1992
ISBN: 0-671-76715-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn with Ray Suarez
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