Nicholl fuses the genres of biography and travelogue to tell an emotional story of Arthur Rimbaud’s ten years in Africa, unveiling the mystery of the leading French symbolist’s post-poetry period. Rimbaud gained world renown for his symbolist verse and for a brief but tumultuous homosexual relationship with Paul Verlaine, who left his family to join the teenage Rimbaud (only to shoot him after the younger poet jilted him). However, the man who was hailed as the founder of a new poetic movement dismissed his own talent as an adolescent hobby. He stopped writing verse at age 21 and from then on sought to erase his bohemian past. Rimbaud’s vagabond instinct led him to the exotic East, and he arrived in Aden in 1880, after short sojourns in Java and Cyprus. For the next decade, he would shuttle ceaselessly between modern-day Yemen, Ethiopia, and Egypt, trading in coffee, skins, guns, and even, according to some less than reliable accounts, slaves. Tireless despite his volatile health, driven by a spirit of adventure, Rimbaud walked hundreds of miles at the head of trading caravans through dangerous lands. He found his calling exploring uncharted territories and learning the language, religion, and culture of local peoples. His expertise was acknowledged when the French Geographical Society deemed his commercial and geographical report on East Africa worthy of publication. Drawing on Rimbaud’s massive correspondence, Nicholl portrays him as always on the run, physically and psychologically, ever in search of new experiences but never attaining happiness. An enormous, cancerous swelling of the knee finally forced him to return to France. Nicholl’s narrative culminates in a powerful description of the agony Rimbaud endured between the amputation of his right leg and his death a few months later. Rimbaud is a fascinating personality, but Nicholl’s (The Creature in the Map: A Journey to El Dorado, 1996, etc.) account offers more: poetry, historical documents, and personal impressions unite in a general statement about human ambition and limitations. (38 b&w illustrations, not seen)
Pub Date: May 1, 1999
ISBN: 0-226-58029-6
Page Count: 352
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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