by Charles Porter ‧ RELEASE DATE: N/A
An undeniably unique metaphysical adventure.
Awards & Accolades
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2023
The latest installment in Porter’s series continues the adventures of a schizophrenic man who, along with a group of misfit friends, embarks on missions of environmental activism.
In Florida, 2002, Aubrey Shallcross and company have scuttled an old tugboat in front of the St. Lucie Locks, making the lock system temporarily inoperable to prevent the “dirty water” from Lake Okeechobee from contaminating pristine estuaries. Fearing capture after their daring deed, the 58-year-old Shallcross takes his family and friends—some of whom are “voice hearers” like himself—to the coast of Massachusetts for the summer to stay at an old friend’s farm. The eclectic group includes a wild array of characters: Yuchee, a teenage Seminole boy whose mother has recently died; two giant alligators and their “slippers” (spirits of the dead that can inhabit the brains of animals and humans); Aubrey’s 14-year-old son, Drayton; Half Track, an autistic man; Speedy, a motorcycle stuntman, and his wife, Roberta, “the Woman With No Legs,” who charms snakes; and A. M. Sermon, a former land developer turned eco-warrior, who travels with his best friend, a giant chimpanzee named Kong. Once there, the group becomes entangled in another looming environmental crisis: Criminals plan to steal a recently orphaned baby humpback whale with albinism in an attempt to sell it on the black market. This fast-paced and intricately plotted storyline, involving the crooked captain of a Russian fishing fleet named Sean Iponovitch, is where the author really shows his storytelling chops. As Iponovitch schemes between alcoholic binges, Porter weaves Moby Dick references throughout to add a literary thread to the narrative tapestry. This literary aspect is strengthened by the almost Kerouacian travelogue passages following the characters’ travels up and down the East Coast: “They crossed the southeast Georgia tidal rivers with green-brown wire grass islands out in the middle, until it was over the Savannah River into the state of South Carolina.”
Themes from Kerouac’s On the Road are evident throughout, including the search for meaning in life, the glorious pursuit of freedom, and finding profound significance in the connections between people and places. The author leavens the road novel experience with humor in places; Aubrey calls food purchased from gas stations and roadside convenience stores “shit cakes” (but after his son buys an assortment of junk food, Aubrey says, “Give me one a those Moon Pies, Drayton.” While the cast of over-the-top characters is well-developed and the storyline involving the white whale is certainly entertaining (especially the stand-up-and-applaud plot twist at novel’s end), it’s the way in which the author explores living with schizophrenia (specifically hearing voices) that makes this story unique. The perception of schizophrenia as an affliction is turned on its head: “…that’s what makes you different than a lot of other people, Aubrey. You can look at and hear your subconscious, you are a bloody schizophrenic; a beautifully perfected schizophrenic.” The narrative is complemented by dozens of illustrations throughout that exemplify the strange and wondrous tone of the story perfectly.
An undeniably unique metaphysical adventure.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Self
Review Posted Online: Oct. 2, 2023
Review Program: Kirkus Indie
Share your opinion of this book
More In The Series
by Charles Porter ; illustrated by Kathy Von Ertfelda & Gisela Pherdekamper
More About This Book
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Share your opinion of this book
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Share your opinion of this book
More About This Book
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.