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THE ADULTS

Wry rather than out-loud funny, laced with melancholy and angst, this book is an enviable first effort.

Like many teenagers, Emily Vidal believes her life sucks. That Emily is conscious of her own foibles gives this coming-of-age debut novel a measure of depth. And then there are Emily's sardonic observations of the wealthy denizens of suburban Connecticut.

The book opens with 14-year-old Emily at her father's 50th birthday party. The usual teenage snarkiness is checked when she discovers her father in a passionate embrace with Mrs. Resnick, the next-door neighbor. Shortly thereafter, Mr. Resnick commits suicide, a hanging Emily observes but cannot prevent. The situation grows more confusing when Mrs. Resnick turns up pregnant. Emily's parents divorce, her father follows his work to Prague and Emily is left with her detached mother and an overweening conception of her own maturity. Before she understands the sharp edges of passion, Emily finds herself, seduced and seducer, in a love affair with Mr. Basketball, her teacher, a dalliance that will continue intermittently over a decade. Emily conquers college, about which little is said, and then moves to Prague for graduate work in interior design. There she lives with her father, meets again with her lover and connects with her half sister. Next it's Brooklyn, where Emily finds a new love and begins her career, only to be confronted again by a guilt-ridden Mr. Basketball, now a widowed lawyer. The story weaves toward its conclusion when Emily's father returns to Connecticut ill with lung cancer. Espach's writing is literary and introspective, sometimes indulging in irony circling upon irony, but it’s securely grounded in a sense of place. Even when the story moves to Prague, settings resonate with authenticity. With rare exceptions, the cast of characters, from fellow students to expats in Prague to the post-yuppies of Connecticut, are well-studied.

Wry rather than out-loud funny, laced with melancholy and angst, this book is an enviable first effort.

Pub Date: April 1, 2011

ISBN: 978-1-4391-9185-9

Page Count: 320

Publisher: Scribner

Review Posted Online: Oct. 21, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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