Dazzling, chilling and brilliant.
Another detective joins the celebrated ranks of Edinburgh's finest, this one with Stross' distinctive science-fictional twist.
Set in the same universe as Halting State (2007) ten years on, the narrative advances several points of view, each written in the same eye-watering second-person present tense; it's supposed to feel like you're inhabiting several avatars in an online computer game—fine, but what if you just want to read a book? Murder is rare in Edinburgh, and the case of an ex-con spammer murdered apparently by bad drugs and a defective machine seems bizarre in the extreme, but DI Liz Kavanaugh soon notices similarities with other equally weird cases in Germany and Italy. And soon Euro-cop Kemal Aslan arrives with other examples. A second Edinburgh victim turns up, a shady accountant shrink-wrapped to a bed of obsolete currency. Meanwhile, the Toymaker, a (literally) psychotic enforcer and facilitator for a criminal network, the Organization, arrives to houseclean the current incompetent staff and recruit some fresh talent. First on his list of potential new hires is Liz's first victim, and the second—you guessed it. In a nearby pub, informatics professor Adam MacDonald, aka the Gnome, inventor of a spam-killer app called ATHENA, talks desperate ex-con hacker Anwar Hussein into becoming consular representative for a bankrupt ex-Soviet splinter republic—the sort of business the newly independent Scottish Euro-state is happy to encourage. Anwar's duties involve distributing free bread mix kits—and providing assistance to a certain John Christie, the Toymaker's current identity. Somehow, Stross ties it all together inside one of the most intelligently and philosophically detailed near-futures ever conceived, although at times the eyes of all but the most well-informed reader will glaze over.
Dazzling, chilling and brilliant.Pub Date: July 5, 2011
ISBN: 978-0-441-02034-8
Page Count: 368
Publisher: Ace/Berkley
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
The multitalented author of The Sandman graphic novels and last year’s Neverwhere charms again, with a deftly written fantasy adventure tale set in early Victorian England and enriched by familiar folk materials. In a rural town called Wall (so named for the stone bulwark that separates it from a mysterious meadow through which strange shapes are often seen moving), on “Market Day,” when the citizens of “Faerie” (land) mingle with humans, young Dunstan Thorn makes love to a bewitching maiden and is presented nine months afterward with an infant son (delivered from beyond the Wall). The latter, Tristran, grows up to fall in love himself and rashly promise his beloved that he’ll bring her the star they both observe falling from the sky. Tristran’s ensuing quest takes him deep into Faerie, and, unbeknownst to him, competition with the star’s other pursuers: three weird sisters (the Lilim), gifted with magical powers though still susceptible to “the snares of age and time”; and the surviving sons of the late Lord of Stormhold, accompanied everywhere by their several dead brothers (whom they happen to have murdered). Tristran finds his star (in human form, no less); survives outrageous tests and mishaps, including passage on a “sky-ship” and transformation into a dormouse; and, safely returned to Wall, acquires through a gracious act of renunciation his (long promised) “heart’s desire.” Gaiman blends these beguiling particulars skillfully in a comic romance, reminiscent of James Thurber’s fables, in which even throwaway minutiae radiate good-natured inventiveness (e.g., its hero’s narrow escape from a “goblin press-gang” seeking human mercenaries to fight “the goblins’ endless wars beneath the earth”). There are dozens of fantasy writers around reshaping traditional stories, but none with anything like Gaiman’s distinctive wit, warmth, and narrative energy. Wonderful stuff, for kids of all ages.
Pub Date: Jan. 6, 1999
ISBN: 0-380-97728-1
Page Count: 256
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
Some of the best pure storytelling around these days is being produced in the critically suspect genre of fantasy, and this exuberantly inventive first full-length novel, by the co-creator of the graphic series The Sandman (1996), is a state-of-the-art example. The protagonist, determinedly unheroic Richard Mayhew, is a young man up from the provinces and living in London, where he has found both job success and a lissome fiancee, Jessica. Soon, however, Richard meets a mysterious old woman who prophesies he'll embark on an adventure that "starts with doors." Sure enough, his fate becomes entwined with that of a beautiful waiflike girl who calls herself Door, and who is in flight from a pair of ageless hired assassins and in pursuit of the reason behind the murder of her family. Suddenly wrenched away from his quotidian life (people can no longer see or hear him), Richard follows Door underground to an alternative "London Below," where "people who have fallen through the cracks" live in a rigidly stratified mock-feudal society that parallels that of London Above. A parade of instructors and guides brings Richard and Door ever closer to understanding why her father was marked for death by the rulers of London Below, and prepares Richard to do battle with the (wonderfully loathsome) Great Beast of London. The ending is both a terrific surprise and a perfectly logical culmination of Richard's journey into the darkest recesses of his civilization and himself. Altogether, Gaiman's story is consistently witty, suspenseful, and hair-raisingly imaginative in its contemporary transpositions of familiar folk and mythic materials (one can read Neverwhere as a postmodernist punk Faerie Queene). Readers who've enjoyed the fantasy novels of Tim Powers and William Browning Spencer won't want to miss this one. And, yes, Virginia, there really are alligators in those sewers—and Gaiman makes you believe it.
Pub Date: July 1, 1997
ISBN: 0-380-97363-4
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 1997
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