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BLUE CAT

Appealing illustrations and minimal, repetitive text make this ideal for toddlers.

A cat engages in typical feline behavior before settling in for a snuggle.

Blue Cat smiles out from the cover. Blue Cat’s fur has a textured, almost stuccolike look, and the character’s edges are slightly blurred, creating a sense of softness. Inside, the illustrations have a collage-style appearance and folk-art feel. Some items in the pictures are textured like Blue Cat, others have crosshatching, both fine (the floor) and coarse (yarn balls). Still others, such as the wallpaper and curtains, are smooth, with small repeating patterns. These echo the designs on the front (floral) and back (hearts and cherries) endpapers. The brief text consists of short declarative sentences, most starting with “Blue Cat” and including just one other word: “Blue Cat lounges…stretches…swats,” etc. After taking a flying leap at the fish bowl and spending some time being petted (as the fish gives Blue Cat serious side-eye), Blue Cat hears something and takes off again. Readers will likely be surprised to discover that Blue Cat should more accurately be called Blue Kitten, as is clear in comparison with the much larger (bright red) Mama Cat. The brevity and predictability of the text suggest that this would be most suitable for toddlers. Older listeners might be happier with Kathi Appelt and Penelope Dullaghan’s more energetic and equally blue Max (Max Attacks, 2019).

Appealing illustrations and minimal, repetitive text make this ideal for toddlers. (Picture book. 2-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-63592-134-2

Page Count: 32

Publisher: StarBerry Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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