by Maria D'Haene ; illustrated by Charlie Eve Ryan ‧ RELEASE DATE: Feb. 25, 2020
Good clean fun.
From spilled motor oil to sprayed water, everyone makes a mess.
The repeated phrase “Who is making a mess?” finds everyone from Grandpa to the baby involved in the untidiness. The marriage of D’Haene’s text with Ryan’s illustrations invites readers to guess who’s made each mess based on the images. The purposefully vague initial depiction of the culprit often challenges readers’ assumptions of who has left each smear or heap of debris. For example, the opening illustration shows a denim-clad someone changing the oil in a car, legs poking out from underneath. A turn of the page reveals that it is Mama making that mess while her partner or spouse (gender is unclear) wrangles the little ones. Other scenes—Grandpa baking while wearing an apron and with a baby in a back carrier—play out similarly. The diverse cast includes same-sex parents, interracial families, and many children and adults of color. The repetition of D’Haene’s question-and-answer structure makes it nicely predictable for little readers, with familiarity quicker to build upon repeat readings. Ryan’s illustrations feel alive thanks to the motion of the mess itself, with flying blobs of batter, juicy drips of food, and sprinkles of grease and oil. Charming details provide plenty for readers to pore over each page, and the deep orange, red, and golden yellow tones give the book warmth.
Good clean fun. (Board book. 1-3)Pub Date: Feb. 25, 2020
ISBN: 978-1-68152-503-7
Page Count: 16
Publisher: Amicus Ink
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
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by Dan Saks ; illustrated by Brooke Smart ‧ RELEASE DATE: Sept. 1, 2020
A joyful celebration.
Families in a variety of configurations play, dance, and celebrate together.
The rhymed verse, based on a song from the Noodle Loaf children’s podcast, declares that “Families belong / Together like a puzzle / Different-sized people / One big snuggle.” The accompanying image shows an interracial couple of caregivers (one with brown skin and one pale) cuddling with a pajama-clad toddler with light brown skin and surrounded by two cats and a dog. Subsequent pages show a wide array of families with members of many different racial presentations engaging in bike and bus rides, indoor dance parties, and more. In some, readers see only one caregiver: a father or a grandparent, perhaps. One same-sex couple with two children in tow are expecting another child. Smart’s illustrations are playful and expressive, curating the most joyful moments of family life. The verse, punctuated by the word together, frequently set in oversized font, is gently inclusive at its best but may trip up readers with its irregular rhythms. The song that inspired the book can be found on the Noodle Loaf website.
A joyful celebration. (Board book. 1-3)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-22276-8
Page Count: 24
Publisher: Rise x Penguin Workshop
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Patricia Hegarty ; illustrated by Thomas Elliott ‧ RELEASE DATE: Aug. 3, 2021
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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