George and Edie remain admirably stoic heroes, but dry prose inhibits this conclusion’s pace. In a many-layered London, George and Edie are stuck in a timeless moment, the only humans who didn’t disappear when time froze. They’re not alone, though: Spits (metal and stone statues, mostly war figures) fight for good, while Taints (sculptures of non-human creatures) ally with the double-strong force of the dark. The dark has an Ice Devil and the ghoulish Walker, a grisly immortal who kills casually and steals life-forces. George and Edie’s tenacious fighting spirits are especially touching because of their separate histories of emotional loss, but the narration’s verbosity decelerates motion; for example, a falling object is “an angular jagged shape getting bigger with startling rapidity as it spun straight at them,” its speed slowed by description. Battle action and Edie’s nightmares also grind to a trudge. Only Edie’s time-travel views of the Walker torturing her mother move quickly and creepily. Mostly for fans of the livelier second installment. (Fantasy. 10-13)
Pub Date: April 7, 2009
ISBN: 978-1-4231-0179-6
Page Count: 480
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
Storm isn’t a bad boy, but he’s “not a good one either.” Graffiti, skateboarding and forbidden train journeys get him forcibly enrolled at the last-ditch School of Possibilities. There, Storm’s life degenerates into increasingly nightmarish, magical-realist twists. His fellow students are excruciatingly obedient, even as they have sports, hobbies and girlfriends assigned as punishments. His parents, a wedding-dress seamstress and a Russian chef, both vanish mysteriously. The only bright spot in Storm’s heavily controlled life (he’s barricaded into his room nightly) is his friendship with the street children India, Mew, Ra and Moon. Squatting in a derelict biscuit factory, the runaways urge Storm to solve the terrible mystery of The School of Possibilities before it’s too late for him—or anyone else. Though brief moments will ring problematically for American readers (“She could have been a Native American chief...[or] a bird or some long-extinct human species”), the dark, richly detailed setting of this Finlandia Junior Prize nominee will capture imaginations. Ikonen’s illustrations accentuate the surrealist horror as the tale spirals into thriller. (Surrealism. 11-13)
Pub Date: June 1, 2010
ISBN: 978-1-4022-1835-4
Page Count: 368
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
A wry, loosely knit story of a British teenager who experiments with running away. Sent to boarding school in an effort to boost his grades, Nicky learns that his parents are pulling apart; when he comes home hoping to mend matters, he sees his dad wining and dining a secretary. Disgusted almost as much by the clichÇ as by the situation, Nicky moves into an abandoned house with a colony of squatters—felons all, except for Carla, the leader's attractive black moll; becomes a car thief, falls in with a quirky street-person, and, finally, weary and ragged, calls his distraught parents to bring him home. There's little violence here, but there's also little tension; meanwhile, the characters are standard issue: one school bully, one adolescent older sister, one burglar, one drug dealer, one prostitute (the last two work entirely offstage). Nicky is more aware of the squalor and discomfort he encounters than the perils of street life, and all he has to show for his experience is an invitation from Carla to look her up in a few years. The danger and cast of runaways in Nelson's The Beggar's Ride (1992) are far more vividly drawn. (Fiction. 11- 13)
Pub Date: April 30, 1993
ISBN: 0-02-710685-3
Page Count: 140
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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