With giant firestorms, rampaging hoards and continual life-and-death scenarios, though, Higson delivers an action-packed...
When all adults turn into zombies, kids must fend for themselves.
Before London was filled with shambling husks craving fresh meat, there was an Internet video of a scared boy ranting about adults killing children. Months later, both video and Internet have disappeared. After constant battles with ravening adults, 15-year-olds Jack and Ed rescue the trapped Frédérique and break out of their barricaded school to find food and stronger shelter. Despite a misadventure with a cannibalistic bus driver, the youths arrive at the Imperial War Museum only to discover others have claimed the space. When London starts to burn again, they all must work together to flee the coming firestorm. Higson delivers this prequel to The Enemy (2010) in similar style, with multiple narrators allowing for even more action than the first offering. While most of these threads lack strong emotional resonance, Frédérique’s narrative harrows, as she descends into madness when infection overtakes her. Jack and Ed have a good rapport, too, though there’s a bit too much sentimentality toward the end. Gun combat takes precedence over melee here, a choice that makes sense given the protagonists’ ages and the setting, though it tends to break the action more than the fisticuffs that dominated the first work.
With giant firestorms, rampaging hoards and continual life-and-death scenarios, though, Higson delivers an action-packed summer read. (Horror. 13-16)Pub Date: June 14, 2011
ISBN: 978-1-4231-3412-1
Page Count: 480
Publisher: Hyperion
Review Posted Online: May 3, 2011
Kirkus Reviews Issue: May 15, 2011
A glossy repackaging of a jejune tale.
A reissue of the 2016 novel published as Consider.
Alexandra Lucas and her boyfriend, Dominick, are about to start their senior year of high school when 500 vertexes—each one a doorway-shaped “hole into the fabric of the universe”—appear across the world, accompanied by holographic messages communicating news of Earth’s impending doom. The only escape is a one-way trip through the portals to a parallel future Earth. As people leave through the vertexes and the extinction event draws nearer, the world becomes increasingly unfamiliar. A lot has changed in the past several years, including expectations of mental health depictions in young adult literature; Alex’s struggle with anxiety and reliance on Ativan, which she calls her “little white savior” while initially discounting therapy as an intervention, make for a trite after-school special–level treatment of a complex situation; a short stint of effective therapy does finally occur but is so limited in duration that it contributes to the oversimplification of the topic. Alex also has unresolved issues with her Gulf War veteran father (who possibly grapples with PTSD). The slow pace of the plot as it depicts a crumbling society, along with stilted writing and insubstantial secondary characterization, limits the appeal of such a small-scale, personal story. Characters are minimally described and largely racially ambiguous; Alex has golden skin and curly brown hair.
A glossy repackaging of a jejune tale. (Science fiction. 13-16)Pub Date: June 6, 2023
ISBN: 978-1-72826-839-2
Page Count: 320
Publisher: Sourcebooks Fire
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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