A witty and engaging read for those who savor quirky mysteries and likable characters.
There are strange goings-on in the little Hudson River town of Arnold Falls, where many of the denizens are also a bit odd.
In Suisman’s second novel about Arnold Falls, the first characters readers meet are Jeebie Walker and Will Shaffer, a gay couple who exude good will and curiosity. The audience views the story mostly through Jeebie’s eyes. Readers are quickly introduced to some other players, such as the curmudgeonly Judge Harschly (the author loves puns); Marvin the Hobo, hired as the town’s resident hermit; Bridget Roberts; Mayor Jenny and her adopted Haitian son, Wilky; Fayette de la Nouille; the ancient but still active Aunt Doozy; and a raft of others. And a plot—make that the main plot—slowly emerges. Objects around town have disappeared. This includes Bridget’s Martha Washington mobcap, the illuminated Schlitz sign from the Elks Club, Judge Harschly’s gavel, a vintage Princess phone, and the statue of the town’s “founder,” Hezekiah Hesper. There seems to be no rhyme or reason for these heists; most of the items have only sentimental value, if that. There is also a crew in town filming a TV series called Merryvale(that’s where Fayette comes in), a search for the rules of gumball, a slightly downsized version of baseball, and a demonstration of kulning,the ancient Swedish technique for calling the cows home. Oh, and in a desperate bid for fame—and money—the town agrees to change its name to Emollimax for six months. But the thief is eventually outed, an embezzlement scheme at the local hospital is unearthed and the culprits arrested, and serenity returns to Emollimax or, rather, Arnold Falls (which, by the way, does not have any waterfalls).
Suisman is clearly enjoying himself in this very leisurely paced and sprawling novel. Technically, the entertaining tale is probably a mystery, but instead of the standard fare of violence and dread, the best the author can come up with is low-level anxiety and befuddlement. No one even suffers a scratch. What will also strike readers is all the dialogue. Suisman’s characters just love to talk, whether it is gossip or ruminations on some perplexing mystery over a glass of wine or a stein of Clagger, the local brew. These are very laid-back people, but they’re also ecologically and socially conscious, whether it be looking out for friends—how is Wilky adjusting to his new life and his new mother? Just fine, thank you. Or searching for endangered species, like the northern cricket frog. Jeebie even turns a farm into an animal sanctuary called Fridstöck. And the author loves the odd fact. Readers will tie themselves to Wikipedia to verify things like lightning splitter architecture, Pepper’s Ghost, and a witch’s staircase. (Kulningis a real thing, incidentally.) The writing is clever, and readers get vivid character details, whether it be the cranky but good-hearted Judge Harschly or the sensitive Jeebie, who falls half in love with a cow and is always a bit on edge over his relatively new relationship with Will (he needn’t be). In this sequel, Suisman has again staked out Arnold Falls and a delightful cast. It is a safe bet that readers will be returning soon to the colorful town.
A witty and engaging read for those who savor quirky mysteries and likable characters.Pub Date: Oct. 13, 2021
ISBN: 978-0-578-99328-7
Page Count: 270
Publisher: Self
Review Posted Online: Oct. 27, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A ghost story, a love story, a mystery—this seductive novel has it all.
A haunted house full of haunted people is the setting for this lively, moving tale.
When 15-year-old Sana Malek and her widowed father move from Johannesburg, South Africa, to Durban in 2014, they land in a once-glorious mansion overlooking the sea, now a ramshackle rooming house presided over by a kindly old man called Doctor. Sana is familiar with ghosts, having been haunted all her life by the spiteful ghost of her previously conjoined twin sister, who died soon after they were separated. So she recognizes that the house teems with them. She forms tentative bonds with some of the place’s corporeal residents, a group of contentious older women. But she’s more interested in the departed, and she begins to unravel their stories, especially when she finds a long-locked bedroom with diaries and photos that are evidence of a couple in love. In 1919, we learn in the book’s second timeline, a dashing, wealthy young Muslim man named Akbar Ali Khan left his village in Gujarat. Eventually he settled in Durban, following an arranged marriage in India with his modern Anglophile wife, Jahanara Begum. They have a son and daughter, but their marriage never warms, despite the spectacular house and gardens he builds for them. Then he does fall in love, with a Tamil girl hired to work in his sugar factory. Meena rejects him, but he takes her as another wife anyway, patiently winning her over until their love catches fire. Akbar isn’t the only one in love with Meena; the djinn of the title, an ancient creature weary of the world, is enchanted. But Jahanara’s bitter jealousy of Meena will lead them all to a terrible fate. Almost a century later, Sana will put it all together—but will that bring catastrophe? Khan’s prose is lush and lovely, her pacing skillful, and she successfully weaves a complex plot with a large cast.
A ghost story, a love story, a mystery—this seductive novel has it all.Pub Date: Jan. 9, 2024
ISBN: 9780593653456
Page Count: 320
Publisher: Viking
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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