An often delightful and engaging tale that will make readers want to move to the author’s heartwarming fictional town.


A debut novel about a small town and its fear of change.

Arnold Falls, a small town in upstate New York, is home to an array of residents, including celebrity chef Annie O’Dell, whose concerns are limited to the ratings of her cooking show and the state of her prune clafoutis; Bridget Roberts, the town pickpocket with a penchant for drinking Clagger, Arnold Falls’ infamous moonshine; and Aunt Doozy, the daughter of a brothel madam who’s plagued by uncontrollable flatulence. At the center of them of all is Jeebie Walker, a gay man in his early 40s who helps his friend Jenny Jagoda run for mayor against incumbent candidate Rufus Meierhoffer. Rufus is an incompetent politician who’s funded by a corrupt real estate developer who wants to replace Arnold Falls’ historic Dutch House with a rubber factory. Early on in the novel, Jeebie notes, “Incorrigibility is part of the Arnold Falls DNA,” and this assertion creates the story’s central conflict: Can Arnold Falls, and its residents, change for the better? Suisman’s prose is often incredibly funny, and his characters are charming in their varying degrees of ridiculousness while still maintaining a realistic, human sensibility. Scenes often feel like self-contained vignettes, highlighting the relationships between the various characters. This format mostly pays off, although some of the more emotional moments fall flat, due to a lack of exploration. Despite this, the community within Arnold Falls is as endearing as it is flawed. Readers will enjoy the ride, for example, when Jeebie debates the merits of Diana Ross in the local record store or Rufus unintentionally donates bomb-making materials to a city in Romania. As one character states, “The whole thing seems nuts but that’s Arnold Falls for you. You just go with it.”

An often delightful and engaging tale that will make readers want to move to the author’s heartwarming fictional town.

Pub Date: Feb. 12, 2020

ISBN: 978-1-79233-215-9

Page Count: 274

Publisher: Self

Review Posted Online: March 17, 2020

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.


After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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A whimsical fantasy about learning what’s important in life.

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An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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