Though the specific experiences are not universal, there is an intrinsic appeal to sun, snow, mud, and play that broadens...
Simple, elegant watercolors and rhymed text convey the magic of the seasons and the elements.
A preschool-age child, their family, and their friends illustrate the sights, sounds, smells, and favorite activities they associate with each of the four seasons. The text is poetic but deceptively simple; the rhyme scheme for each of the four segments is the simple cadence of a limerick: “Mud makes me dance in the spring. / I fly up to the sky in my swing. / Let’s poke holes and plant peas / on our wet muddy knees. / In the quince bush, two little birds sing.” There is a lovely economy to the watercolor illustrations, with bold black outlines partially filled in and punctuated with warm sweeps and dabs of color. The images capture the warmth of family life and the richness of seasons shared in outdoor play with friends. Agell portrays the seasons as experienced in coastal New England. Children play in grassy fields, on the beach, or running in the woods, and they live in warm, cozy houses. There is nary a hint of urban existence to be found; while the cast is fairly inclusive (the protagonist child is white, but they interact with children and adults of color), the experience depicted is less so.
Though the specific experiences are not universal, there is an intrinsic appeal to sun, snow, mud, and play that broadens this book’s reach. (Board book. 2-5)Pub Date: April 9, 2019
ISBN: 978-1-944762-63-6
Page Count: 24
Publisher: Islandport Press
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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