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INGRID

INGRID BERGMAN, A PERSONAL BIOGRAPHY

Among several other books about Bergman, including her own autobiography, this one seems a series of outtakes.

A haphazard assemblage of interviews with Bergman and her friends, family and directors.

Liv Ullmann piques curiosity when she recalls shouting matches between Ingrid Bergman and director Ingmar Bergman during filming of the former’s final film, Autumn Sonata. “[P]eople say she was very tough in Hollywood,” Ullmann adds. Little evidence of Ingrid Bergman’s allegedly flinty temperament exists elsewhere in this latest from Chandler (The Girl Who Walked Home Alone, 2006, etc.), part of a series of star biographies based, she reminds readers repeatedly, on her own interviews. Bergman reflects with equanimity on three marriages, film and stage careers in Stockholm, Hollywood and Europe and a tumultuous break from the United States when she left her first husband and daughter, Pia Lindstrom, to pursue an affair, then marriage to Italian film director Roberto Rossellini. A daughter of the second marriage, Isabella Rossellini, speaks adoringly of her mother. Not heard from here is Lindstrom, who once testified she did not love her mother, a fact Chandler doesn’t mention. As for Bergman’s career, Chandler writes straight plot summaries of Bergman’s films and plays, but provides scant critical insight into her acting. Of Bergman’s work in Intermezzo (the film that launched her career), in Anastasia (the film that garnered her an Oscar and that may have softened and reclaimed American audiences indignant over her personal life) and in Hitchcock’s Notorious (a career highpoint), Chandler observes virtually nothing. Profiles of Bergman’s first husband, Peter Lindstrom, apparently as rigid as the forbidding husband in Ibsen’s A Doll’s House, and Robert Capa, the self-destructive photographer with whom Bergman had an affair, lend some interest.

Among several other books about Bergman, including her own autobiography, this one seems a series of outtakes.

Pub Date: March 1, 2007

ISBN: 0-7432-9421-1

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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