A watery odd couple perfect for potential royals and scurvy curs alike.
Two pet fish duke it out, scale to scale.
Prince, an entitled goldfish, and Pirate, a fish of a decidedly naughty nature, are content as can be within their own little bowls. Then along comes the terrible day when they find themselves sharing a single tank. Prince considers Pirate to be a downright “cheeky cod,” while Pirate can’t stand sharing space with this “worm-eaten peg leg.” Taking a cue from classic movies and sitcoms of yore, they make a line down the tank’s center constructed from white pebbles. But when a cute little dogfish enters their domain (complete with doghouse), they both realize the only way to win its trust is to come to terms with each other. While both the impetus for bringing these two mortal enemies together and the final denouement fail to ring completely true, there’s no denying that the book is a godsend to pirate-themed storytimes nationwide. Gunnufson delights in language, both Prince’s high-falutin’ royal speak and Pirate’s down-and-dirty buccaneer-inflected growl. Lowery, meanwhile, endows his flippered foes with enough humor and heart to sink an ocean liner. Such jokes as Pirate’s surreptitious lift of his eye patch to better view Prince will not go unnoticed.
A watery odd couple perfect for potential royals and scurvy curs alike. (Picture book. 4-7)Pub Date: May 9, 2017
ISBN: 978-0-399-17604-3
Page Count: 32
Publisher: Putnam
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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