Turns bleak family secrets and struggles into one hilarious, witty joy ride after another.
Laws’ memoir focuses on the wild and varied situations she finds herself in while seeking her biological parents.
As the adopted child of an upper-class family in Atlanta, Laws (Devil in the Basement, 2018, etc.) had always felt like a “B-flat while [her] peers…had been C-sharps.” Laws’ demanding father dismissed everything that wasn’t money, and her distant mother’s suicide attempt left her in a vegetative state. The author’s quirky worldview and dark sense of humor were always at odds with her rigid, depressing childhood environment. Fleeing west as soon as she could, she moved from Las Vegas to Los Angeles. She worked as a bodyguard, a backup singer for an Elvis imitator, a maid, and a live-in caretaker in a mobile home. She encountered some of the strangest characters the West Coast had to offer along the way and found herself in a few genuinely harrowing situations that she recounts in riveting detail. In leveraging her greatest skill as a party crasher, Laws got a handle on the sprawling metropolis of LA and found pieces to the puzzle of her past. When she eventually met her biological father and heard the story of her birth, she mused to herself that, “Even as a zygote, I was on track to be a TV movie.” Questions of family and heritage come into play with each new profession and zany escapade as Laws writes of single motherhood and struggling to make it in the city of Angels. Like David Sedaris’ wry personal essays, Laws’ chapters feel like self-contained short stories that mine any given situation for personal confessions and comical observations. She does tend to veer off course, and some editing of the more tangential episodes would have made for a tighter exploration of the pitch-black comedy that is Laws’ family history. But even when the memoir strays from the primary storyline into tales of sex dungeons, glitzy celebrity parties, or dating service mishaps, Laws punctuates every moment with an extraordinary sense of comedic timing and a sharp eye for twisted details.
Turns bleak family secrets and struggles into one hilarious, witty joy ride after another.Pub Date: Aug. 15, 2019
ISBN: 978-0-9961335-6-2
Page Count: 354
Publisher: Stroud House Publishing
Review Posted Online: June 12, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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