A relentless black comedy, excellently phrased but formally frustrating.
For the suffering members of an English family crushed by its artist patriarch, a weekend of so-called celebration leads to implosion.
Ray Hanrahan is a monster, “a one-man chorus of contempt” whose withering criticism and ceaseless manipulation of his wife, Lucia, and younger daughter, Jess, have caused the first to self-sabotage and the second to flee London for a teaching career in Scotland. Originally her tutor, Ray used to nurture Lucia’s artistic gifts, but he has become so jealous of her success that she, drowning in loyalty, must dodge the limelight in order to keep the domestic peace. Ray and Lucia's other daughter—32-year-old Leah, who’s never had a boyfriend and still lives at home—has created a comparatively safe space by devoting her life to her father’s needs and wishes. Now the family is preparing for an important event: Ray’s first solo art show since the mid-1990s, which he hopes will rekindle his fading reputation. Meanwhile, stable things are shifting. Lucia is “stupid with lust” for a woman she met at a party, and her gallerist is trying to reach her with important news. Both Jess and Leah have secrets of their own, and so does Patrick, Lucia’s first child, Ray’s stepson and another lacerated victim of his heedless disdain. Mendelson stuffs every page of her three-day-long comic parable of dysfunction with a high pitch of discomfort, squirms, plots, and wounds while delineating her characters—especially the toweringly horrible yet compelling Ray—with a broad brush. The repetitive dilemmas and submission of those surrounding Ray will be a test of some readers’ patience, or perhaps a cause of sympathy if the characters are viewed as in thrall to their emotional abuser. The writing sparkles with perfectly judged perceptions, but by the novel’s conclusion its rigid structure and underlining can seem oppressive.
A relentless black comedy, excellently phrased but formally frustrating.Pub Date: July 4, 2023
ISBN: 9781250286932
Page Count: 304
Publisher: St. Martin's
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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