Next book

THE EXHIBITIONIST

A relentless black comedy, excellently phrased but formally frustrating.

For the suffering members of an English family crushed by its artist patriarch, a weekend of so-called celebration leads to implosion.

Ray Hanrahan is a monster, “a one-man chorus of contempt” whose withering criticism and ceaseless manipulation of his wife, Lucia, and younger daughter, Jess, have caused the first to self-sabotage and the second to flee London for a teaching career in Scotland. Originally her tutor, Ray used to nurture Lucia’s artistic gifts, but he has become so jealous of her success that she, drowning in loyalty, must dodge the limelight in order to keep the domestic peace. Ray and Lucia's other daughter—32-year-old Leah, who’s never had a boyfriend and still lives at home—has created a comparatively safe space by devoting her life to her father’s needs and wishes. Now the family is preparing for an important event: Ray’s first solo art show since the mid-1990s, which he hopes will rekindle his fading reputation. Meanwhile, stable things are shifting. Lucia is “stupid with lust” for a woman she met at a party, and her gallerist is trying to reach her with important news. Both Jess and Leah have secrets of their own, and so does Patrick, Lucia’s first child, Ray’s stepson and another lacerated victim of his heedless disdain. Mendelson stuffs every page of her three-day-long comic parable of dysfunction with a high pitch of discomfort, squirms, plots, and wounds while delineating her characters—especially the toweringly horrible yet compelling Ray—with a broad brush. The repetitive dilemmas and submission of those surrounding Ray will be a test of some readers’ patience, or perhaps a cause of sympathy if the characters are viewed as in thrall to their emotional abuser. The writing sparkles with perfectly judged perceptions, but by the novel’s conclusion its rigid structure and underlining can seem oppressive.

A relentless black comedy, excellently phrased but formally frustrating.

Pub Date: July 4, 2023

ISBN: 9781250286932

Page Count: 304

Publisher: St. Martin's

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 247


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Awards & Accolades

Likes

  • Readers Vote
  • 247


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2024


  • New York Times Bestseller

Next book

THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2024


  • New York Times Bestseller

Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

Close Quickview