While this lacks the science found in many other caterpillar-to-butterfly titles, it has a charm that cannot be replicated.
Discouraged by the caterpillars eating the dandelion leaves he worked so hard to grow in his first adventure (Nibbles, 2010), Nibbles and his new neighbor, Posie, decide to keep them as pets.
The two guinea pigs make a hysterical list of the things they might need to care for their six new charges and then consult Mr. Rosetti, who knows everything. He sets them straight (caterpillars do not need ping-pong balls to play soccer) and provides them with clean jars for a habitat. The two love their caterpillars and enjoy watching them grow. But they are mystified when, one day, the pets suddenly disappear. The duo makes “Lost” posters to hang around town, but no one has seen the caterpillars anywhere. But then Mr. Rosetti e-mails a request that they bring the jars to his café. When he unscrews the tops, six beautiful butterflies emerge. Nibbles and Posie make new “Found” posters, which are such a hit they get hung in the town art gallery. Middleton’s mixed-media artwork is a visual feast of patterns in the backgrounds and clothing; each caterpillar, too, is distinct. The drawings that Nibbles and Posie make of the caterpillars and, later, the butterflies, are childishly and endearingly rendered.
While this lacks the science found in many other caterpillar-to-butterfly titles, it has a charm that cannot be replicated. (Picture book. 3-6)Pub Date: April 1, 2012
ISBN: 978-0-7614-6134-0
Page Count: 24
Publisher: Marshall Cavendish
Review Posted Online: Feb. 21, 2012
Kirkus Reviews Issue: March 15, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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